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The Case Files

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Album Review

Peter Case has been digging deep into his tape library in recent years, releasing fine archival albums from his bands the Plimsouls, the Nerves, and the Breakaways, and now The Case Files finds him offering up some rare and unreleased nuggets from his solo career, ranging from a demo version of "Steel Strings" from his 1986 solo debut to a Stones cover cut in 2009 with the same crew from his album Wig! Considering the odds-and-ends nature of this album, it's a pleasant surprise that The Case Files is so consistently strong, and coming after Case has jumped back into rock & roll, it builds up a solid and enjoyable head of piss and vinegar, with a thread of articulate anger running through these songs, whether they're one-man acoustic numbers or exercises in full-on electric bash. Politics take center stage on several numbers, particularly "Let's Turn This Thing Around," "Kokomo Prayer Vigil," and "Ballad of the Minimum Wage," as Case bemoans America's swing to the right and raises the roof on behalf of economic and social justice, and though most of the songs focus more on the personal, nearly every track sounds urgent and focused, as Case lets his passion fuel the material as well as the performances. Along with a stack of his own numbers, Case has also included some inspired covers, and he charges into Alejandro Escovedo's "The End," Bob Dylan's "Black Crow Blues," and Kokomo Arnold's "Milkcow Blues" with the same smarts and drive that he brings to his own stuff. Even though these tracks were either demo tapes, radio sessions, or stuff that didn't make the grade somewhere else, it's clear Peter Case has admirably high standards, and these 12 songs make for an entertaining and empowering album that delivers the goods with smarts and simple, sweaty force. The Case Files proves this man's cast-offs make for a better album than most acts' level-best efforts, and with any luck, he'll offer another look into his archives before long.

Customer Reviews

Classic Case with a bundle of blues

Peter Case has been wandering through the dusty roads of rocking roots and blues music since his eponymous first solo album in 1986. The Case Files will satisfy fans of Case's early work and his later exploration of multiple blues styles. "Give Me One More Mile" cranks up the energy with driving guitar rhythms , harmonica punctuation, and Case's searing lyrical punch. He revists "Steels Strings" from his first album in a stripped down style and "Anything" from "Camp Burlesque"...great melodies,..wry lyrics and a chunk of irony is all there to enjoy. There is a Stevie Ray Vaughn worthy version of Milkcow Blues, a boggie woogie blues (Black Crow Blues), and a classic down home blues(Good times, Bad times)....So, if you are in the mood for a box of blues or some acerbic political commentary, The Case Files will not disappoint. If you are a Case neophyte check out the Man with the Blue Post Modernist Fragmente Neo-Traditionalist Guitar...The title alone is worth the price of admission...JBT

another solid album

beautiful and hard hitting. The irony wasn't lost on me... to hear The Ballad of the Minimum Wage on the same day Newt announced for President with a ringing endorsement of corporate greed.


Born: April 5, 1954 in Buffalo, NY

Genre: Rock

Years Active: '70s, '80s, '90s, '00s, '10s

One of the most well-respected singer/songwriters of his generation, Peter Case is an artist whose eclectic body of work embraces rock & roll, contemporary folk, blues, and a number of points in between. As a songwriter, Case has shown himself to be a master storyteller with a special understanding of underdogs and lost souls, and his direct, passionate style as a singer and guitarist has served him well in both electric and acoustic contexts. Case was born in Buffalo, New York on April 5, 1954....
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