17 Songs, 2 Hours, 53 Minutes

EDITORS’ NOTES

The most ambitious jazz album to arrive in ages, Los Angeles saxophonist/composer Kamasi Washington's debut clocks in at 174 minutes—with never a dull moment. While his flawless 10-piece band already packs a wallop, thanks to their doubled basses and drums, Washington embellishes them with a string section and angelic choir. Like his luminous playing on Kendrick Lamar’s To Pimp a Butterfly, Washington solos with power and grace here. Versions of "Cherokee" and Terence Blanchard's "Malcolm's Theme" nod to jazz tradition, but it's originals like "Change of the Guard" that signal his truly epic aspirations.

Mastered for iTunes

EDITORS’ NOTES

The most ambitious jazz album to arrive in ages, Los Angeles saxophonist/composer Kamasi Washington's debut clocks in at 174 minutes—with never a dull moment. While his flawless 10-piece band already packs a wallop, thanks to their doubled basses and drums, Washington embellishes them with a string section and angelic choir. Like his luminous playing on Kendrick Lamar’s To Pimp a Butterfly, Washington solos with power and grace here. Versions of "Cherokee" and Terence Blanchard's "Malcolm's Theme" nod to jazz tradition, but it's originals like "Change of the Guard" that signal his truly epic aspirations.

Mastered for iTunes
TITLE TIME
12:15
12:34
12:12
6:31
14:48
7:43
8:46
9:24
8:19
7:35
7:13
12:45
14:05
8:14
11:07
8:40
11:08

Customer Reviews

4.8 out of 5

190 Ratings

190 Ratings

Amazing

AvopitPDP,

Had the privilege of hearing " Re Run Home" prior to the disc release. All I can say is Amazing!!
Some of the best new music I have heard in a long time! Can't wait until the release of the 3 disc set. Jazz is alive and well !!!!!!!

Grover’s son?

boston jazzman,

I believe so. Sample cut sounds great. Good genes…..

Good stuff

entheogenic,

Loving this album

About Kamasi Washington

Kamasi Washington didn't pick up a saxophone until he was 13 years old, but by that point, he'd already been playing several other instruments. That's when he found his calling. Within a couple years, he was the lead tenor saxophonist at Hamilton High School Music Academy in his native Los Angeles. After graduation, he attended UCLA to study ethnomusicology. While enrolled at UCLA, he recorded a self-titled album with Young Jazz Giants, a quartet he had formed with Cameron Graves and brothers Ronald Bruner, Jr. and Stephen "Thundercat" Bruner, released in 2004.

From that point on, Washington continually performed and recorded with an impressive variety of major artists across several genres, including Snoop Dogg, Raphael Saadiq, Gerald Wilson, McCoy Tyner, George Duke, and PJ Morton. He self-released a handful of his own albums from 2005 through 2008 while also performing and recording as one-third of Throttle Elevator Music. In 2014 alone, Washington demonstrated tremendous range with appearances on Broken Bells' After the Disco, Harvey Mason's Chameleon, Stanley Clarke's Up, and Flying Lotus' You're Dead!, among other albums that covered indie rock, contemporary and progressive jazz, and experimental electronic music.

The following year, Washington contributed to Kendrick Lamar's To Pimp a Butterfly and released The Epic on Flying Lotus' Brainfeeder label. An expansive triple album nearly three hours in duration, it involved the other three-fourths of Young Jazz Giants -- by then part of his larger collective, alternately known as the Next Step and West Coast Get Down -- and a string orchestra and choir conducted by Miguel Atwood-Ferguson. A critical and commercial success, The Epic landed at number three on Billboard's jazz chart. Washington toured the U.S., played dates in Europe and Japan, and continued session work with contributions to albums by Terrace Martin, Carlos Niño, John Legend, Run the Jewels, and Thundercat, all while continuing to tour. Washington debuted the six-song project at the Whitney Biennial in March along with a film by A.G. Rojas and artwork by Amani Washington. In early 2017, Washington premiered Harmony of Difference, an original six-movement suite, as part of the Whitney Biennial, and compiled that recording for a six-track, 13-minute EP -- his first original music since The Epic two years earlier. Issued in September, Harmony of Difference explored the philosophical possibilities of counterpoint. Composed as a suite, it contains five separate movements and a sixth, "Truth," as a finale, that includes tenets and themes from its predecessors. ~ Andy Kellman

  • ORIGIN
    Los Angeles, CA
  • GENRE
    Jazz
  • BORN
    February 18, 1981

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