30 Songs, 2 Hours


Ratings and Reviews

4.6 out of 5
48 Ratings
48 Ratings
Puglove1 ,

What a voice

Recently I became interested in 60s rock and of course became one of the disciples of all the major bands (including the Beatles, who need to be represented here). Janis remains one of my favorites, a woman who knew how to rock and could outperform anyone. Her live songs are beautifully done, and the songs all have her distinctive touch, not just from her amazing voice. I recommend buying (if you can) the original records (I own 'Pearl' and WOW), but this is also a good buy, I own it as well, and a great chance to experience the rock legend who laid the foundations for other rock performers...and not just female ones! My favorites are 'Summertime', 'Me and Bobby McGee', 'Ball and Chain', 'Get It While You Can', and 'Piece of My Heart', but all are mindblowing! Janis was so fantastic!

EvaTheStrange ,


I love Janis! Her voice sends shivers down my spine. I especially love Summertime and Mercedes Benz. She went too soon.

BrookeWhite's#1Fan ,

Great Singer

It's a shame that she was in to drugs the way she was. They cost her her whole life. Think of how much more music she could have made. She died at 27! She wasted her talent. Which is sad, considering she had such a great voice. When you first listen to her, it sounds very off, and I didn't like her at first. I listened to Me and Bobby McGee on repeat a few times and now it is one of my favorite songs ever that is not by Brooke White (Brooke White is the best singer of all eternity). Anyway... Janis Joplin is an incredible singer and she really hits all the notes well. Again, not a very inspiring person, but the music has a sound that has never and will never be replaced.

About Janis Joplin

The greatest white female rock singer of the 1960s, Janis Joplin was also a great blues singer, making her material her own with her wailing, raspy, supercharged emotional delivery. First rising to stardom as the frontwoman for San Francisco psychedelic band Big Brother & the Holding Company, she left the group in the late '60s for a brief and uneven (though commercially successful) career as a solo artist. Although she wasn't always supplied with the best material or most sympathetic musicians, her best recordings, with both Big Brother and on her own, are some of the most exciting performances of her era. She also did much to redefine the role of women in rock with her assertive, sexually forthright persona and raunchy, electrifying on-stage presence.

Joplin was raised in the small town of Port Arthur, TX, and much of her subsequent personal difficulties and unhappiness has been attributed to her inability to fit in with the expectations of the conservative community. She'd been singing blues and folk music since her teens, playing on occasion in the mid-'60s with future Jefferson Airplane guitarist Jorma Kaukonen. There are a few live pre-Big Brother recordings (not issued until after her death), reflecting the inspiration of early blues singers like Bessie Smith, that demonstrate she was well on her way to developing a personal style before hooking up with the band. She had already been to California before moving there permanently in 1966, when she joined a struggling early San Francisco psychedelic group, Big Brother & the Holding Company. Although their loose, occasionally sloppy brand of bluesy psychedelia had some charm, there can be no doubt that Joplin -- who initially didn't even sing lead on all of the material -- was primarily responsible for lifting them out of the ranks of the ordinary. She made them a hit at the 1967 Monterey Pop Festival, where her stunning version of "Ball and Chain" (perhaps her very best performance) was captured on film. After a debut on the Mainstream label, Big Brother signed a management deal with Albert Grossman and moved on to Columbia. Their second album, Cheap Thrills, topped the charts in 1968, but Joplin left the band shortly afterward, enticed by the prospects of stardom as a solo act.

Joplin's first album, I Got Dem Ol' Kozmic Blues Again Mama!, was recorded with the Kozmic Blues Band, a unit that included horns and retained just one of the musicians that had played with her in Big Brother (guitarist Sam Andrew). Although it was a hit, it wasn't her best work; the new band, though more polished musically, was not nearly as sympathetic accompanists as Big Brother, purveying a soul-rock groove that could sound forced. That's not to say it was totally unsuccessful, boasting one of her signature tunes in "Try (Just a Little Bit Harder)."

For years, Joplin's life had been a roller coaster of drug addiction, alcoholism, and volatile personal relationships, documented in several biographies. Musically, however, things were on the upswing shortly before her death, as she assembled a better, more versatile backing outfit, the Full Tilt Boogie Band, for her final album, Pearl (ably produced by Paul Rothchild). Joplin was sometimes criticized for screeching at the expense of subtlety, but Pearl was solid evidence of her growth as a mature, diverse stylist who could handle blues, soul, and folk-rock. "Mercedes Benz," "Get It While You Can," and Kris Kristofferson's "Me and Bobby McGee" are some of her very best tracks. Tragically, she died before the album's release, overdosing on heroin in a Hollywood hotel in October 1970. "Me and Bobby McGee" became a posthumous number one single in 1971, and thus the song with which she is most frequently identified. ~ Richie Unterberger

Port Arthur, TX
January 19, 1943




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