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The Expanding Universe

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Album Review

Perhaps it is only fitting that 2012 brought Laurie Spiegel newfound fame via an appearance on The Hunger Games soundtrack, followed by this sweeping reissue. At the time she recorded the pieces featured here, computers were still rare and fairly unique things to be working with, outside of extremely high-end work, and the world of computer composition was still comparatively small and limited, as Spiegel herself notes in the accompanying essays. By 2012, the sheer omnipresence of technology put a new perspective upon her work, while the ability of informally trained or self-taught musicians, much as Spiegel was for many years, was duly heightened. The original release of The Expanding Universe is and remains its own striking milestone in electronic composition, everything from its interview-as-album-art to its four powerful and beautiful key pieces, especially the lengthy title track. The Unseen Worlds reissue acts as a lovely complement to the original, transforming it into a two-CD archive of Spiegel's work from the mid- to late '70s. Among other familiar tracks are numerous new (to the general listener) ones, and the result is breathtaking. "East River Dawn," a celebration of New York coming to life, is as rich and wonderful in its sweet and bright build as any other top-shelf celebration of the Big Apple, while "The Orient Express," her self-described train song from 1974, provided an earlier example of electronics as locomotion than Kraftwerk did three years later. Spiegel's expanded liner notes discuss the full technical range and equipment brought to bear, as well as track-by-track notes are striking, and include such lovely personal touches as her noting how her dogs enjoyed the soothing "The Unquestioned Answer."

Customer Reviews

Superb

Laurie Spiegal should be more prevelant in the ear of the collective conciousness. Thank you iTunes for promoting her work through your 'What we're listening to' Section of the Electronic category. I first heard Laurie's music through the important 'Ohm' collection of Electronic music Pioneers. I made a splendid ring tone out of her piece entitled 'Appalachian Springs'. I purchased this album without any hesitation as I recommend to all whom read this. Mysterious and feminine. It is also archtypal as it approaches the sound of heaven's boundry in the last moments of a dying brain; chemical relase of endorphins, opiates, etc. correlated to her confident powerful use of sustained delay. Superb!!!!

Biography

Born: September 20, 1945

Genre: Electronic

Years Active: '70s, '80s, '90s, '00s

Studied at Oxford University, comp. with J.W. Duarte, Vincent Persichetti, Hall Overton, Jacob Druckman, Emmanuel Ghent. Plays guitar and lute. Worked at Bell Labs from 1973-74 and in computer graphics. Created computer music program Music Mouse which eliminates reliance on keyboards, sampled or acoustic sounds. Numerous soundtracks, video projects with Nam June Paik and others, her realization of Kepler's Music of the Spheres was sent into space by NASA. Many grants and awards,...
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The Expanding Universe, Laurie Spiegel
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