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Tubular Bells II

Mike Oldfield

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Reseña de álbum

Tubular Bells II is the update and/or sequel to Mike Oldfield's landmark 1973 new age recording Tubular Bells, which will resonate forever as the haunting theme to The Exorcist. Here, Oldfield repeats his multi-instrumental performance, playing guitar, banjo, organ, percussion, mandolin, and the titular tubular bells, although in a nod to modernism, the latter instruments often appear as samples through Oldfield's Kurzweil synth rig. It's the piece's captivating main theme that again takes center stage here. The eight-minute opening track "Sentinel" plays it off of whining guitars and breathy female vocals. The latter element is a nice touch. The genre that the original Bells helped establish has come quite a ways in 20 years, and this fact isn't lost on Oldfield. Throughout II, he incorporates the multi-cultural influences that have cross-pollinated with new age, bringing in breathy ethnic flutes, Asian-inflected string sounds, and the whispered foreign words of "Sentinel." The famous ceiling of the album, where each instrument is introduced by a narrator, becomes another summit between old and new. Alan Rickman handles the introductions (during "Bell") and runs through a litany of instruments that includes "digital sound processor," reed and pipe organ, "the Venetian effect," glockenspiel, "two slightly sampled electric guitars," and vocal chords, which Rickman introduces as if they're an exotic museum piece. Some of Oldfield's fancy-handed riffs fail; the bagpipes of "Tattoo" seem too obvious and "Sunjammer" sounds like an unfortunate outtake from the Who's Tommy. But overall, Tubular Bells II succeeds mightily. It doesn't beat its predecessor, but does update its sonics and technology with Oldfield's flair for studied grandiosity.

Reseñas de clientes

The best album

This is the best Oldfield album. Since its creation, I have been waiting for other one like this. Now sadly, almost 20 years later, I have to accept that probably it will never happen again. Enjoy this master piece.

Awesome Concert!

I saw Michael Oldfield perform this entire album, track by track at Carnegie Hall when it came out. It was one of the most memorable shows I have ever experienced. I still get chills remembering a group of ten or twelve bagpipers suddenly striding out onto the stage during Tatoo and playing in unison....Michael Oldfield outdid himself with this effort.

Great album … but...

A really great new work based on the original Tubular Bells. Be warned that the version of "Sentinel" in this album is not the original from the vinyl or CD. It is a remixed single by the same name. The original is over 8 minutes long. As far as I can tell the original is not available here.

Biografía

Nacido/a: Reading, England, 15 de mayo de 1953

Género: New Age

Años de actividad: '60s, '70s, '80s, '90s, '00s, '10s

Composer Mike Oldfield rose to fame on the success of Tubular Bells, an eerie, album-length conceptual piece employed to stunning effect in the film The Exorcist. Born May 15, 1953, in Reading, England, Oldfield began his professional career at the age of 14, forming the Sallyangie folk duo with his sister Sally; a year later, the siblings issued their debut LP, Children of the Sun. By the age of 16, he was playing bass with Soft Machine founder Kevin Ayers' group the Whole World alongside experimental...
Biografía completa
Tubular Bells II, Mike Oldfield
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