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The Green EP

Bibio

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Album Review

Bibio played with a wide range of moods and sounds on 2013's excellent Silver Wilkinson, but The Green EP dives deep into the mood created by Stephen Wilkinson's favorite from the album, "Dye the Water Green." A lovely example of the hazy folktronica that's defined much of Bibio's music, the track also offers a subtler version of that sound than on some of his releases with its aptly floating, flowing mix of acoustic and electronic instrumentation and haunting vocal melody. Aside from "Carbon Wulf," an even murkier reworking of the interlude that follows "Dye the Water Green" on Silver Wilkinson, much of The Green EP consists of older, previously unreleased tracks that Wilkinson revisited and refreshed. "Dinghy," a collaboration with Letherette's Richard Roberts, delivers the quaintly lo-fi, damaged-tape vibe that is quintessentially Bibio; "Down to the Sound," on the other hand, obscures its crystalline keyboards and guitars with a thunderstorm. Of the previously unreleased tracks, the standout is "A Thousand Syllables," which, like "Dye the Water Green," takes its time unfolding its pastoral beauty. Together, these songs make the most of the dreamy, half-remembered sound at which Wilkinson excels. The Green EP isn't a release that surprises and demands attention the way that Ambivalence Avenue and parts of Silver Wilkinson did; instead, it seduces listeners into a reverie that's more cohesive and satisfying than the EP's patchwork nature might suggest.

Customer Reviews

ITs going to be great!

Great! mark my words!

New ep

This band is the picking up trend that has good vibes music plus they always put me into good moods get them

Phenomenal

I absolutely love all the songs on the album, especially Dinghy.

Biography

Born: West Midlands, England

Genre: Alternative

Years Active: '00s, '10s

Bibio is the folk-meets-electronica project of self-taught producer/multi-instrumentalist Stephen Wilkinson, from England's Black Country (aka the West Midlands). As a student of sonic arts at London's Middlesex University, Wilkinson was first inspired by '90s electronic acts such as Aphex Twin, Autechre, and especially Boards of Canada, but became equally intrigued by mid-20th century British folk. He combined these sounds in his own music, along with found sounds and field recordings, for a unique...
Full Bio

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