12 Songs, 1 Hour 6 Minutes

EDITORS’ NOTES

Contemporary horror-fantasy director M. Night Shyamalan’s big-budget adaptation of the popular Nickelodeon animated series generated some of the most pointed criticism of his career. But the film’s bold, heroic orchestral score by seven-time Shyamalan musical collaborator James Newton Howard stands up quite well on its own. Largely eschewing the impressionistic chimera of The Sixth Sense and his Academy Award-nominated score for The Village, the composer takes a more forceful, thematic approach that effectively forges the European orchestral classicism of John Williams with the contemporary synth-fusion bombast of Hans Zimmer. Yet despite some obvious genuflection to action film conventions, Newton Howard still manages to suffuse the soundtrack with his own distinctive textural intrigues and masterful sense of ethereal introspection.

EDITORS’ NOTES

Contemporary horror-fantasy director M. Night Shyamalan’s big-budget adaptation of the popular Nickelodeon animated series generated some of the most pointed criticism of his career. But the film’s bold, heroic orchestral score by seven-time Shyamalan musical collaborator James Newton Howard stands up quite well on its own. Largely eschewing the impressionistic chimera of The Sixth Sense and his Academy Award-nominated score for The Village, the composer takes a more forceful, thematic approach that effectively forges the European orchestral classicism of John Williams with the contemporary synth-fusion bombast of Hans Zimmer. Yet despite some obvious genuflection to action film conventions, Newton Howard still manages to suffuse the soundtrack with his own distinctive textural intrigues and masterful sense of ethereal introspection.

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About James Newton Howard

Pianist, producer, and composer James Newton Howard scored over 60 films beginning in the mid-'80s, including The Fugitive, The Prince of Tides, Pretty Woman, Glengarry Glen Ross, Batman Begins, Michael Clayton, and the Hunger Games series. Howard began taking classical piano lessons at the age of four, playing on a piano owned by his grandmother, who was the Pittsburgh Symphony's concertmaster and violinist during the 1930s and '40s. He went on to study at the USC School of Music and at the Music Academy of the West (in Santa Barbara, California) with Reginald Stewart and Leon Fleisher. He also studied under orchestrator Marty Paich, who would later conduct some of Howard's scores. After graduating from college, Howard joined a short-lived rock band, then worked for a couple of years as a session musician with artists including Diana Ross, Ringo Starr, and Harry Nilsson. In 1975, he joined the band of the most popular artist of that time, Elton John, toured with him during the mid-'70s, and later re-joined for a tour in 1980 and again in 1986. Over the years, Howard has worked as a songwriter, producer, or arranger with the such artists as Cher, Earth, Wind & Fire, Rickie Lee Jones, Olivia Newton-John, Bob Seger, Rod Stewart, Barbra Streisand, Toto, and more. He has received numerous Oscar nominations, and won an Emmy Award for his theme for the television show Gideon's Crossing and a Grammy Award in 2009 for his work on The Dark Knight. Those accolades brought continued high-profile film work, such as 2012's The Bourne Legacy, the Hunger Games franchise, and the Huntsman film series. He made his debut in the J.K. Rowling wizarding universe with 2016's Fantastic Beasts and Where to Find Them. The following year saw Howard score the American legal drama Roman J. Israel, Esq. ~ Joslyn Layne

HOMETOWN
Los Angeles, CA
BORN
June 9, 1951

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