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The Last Panthers

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Ostensibly the score for a TV crime thriller of the same name, this collection of icy soundscapes underscores Clark’s masterful melding of sounds real and created. Culled from the soundtrack and edited into new pieces, The Last Panthers is a chilling journey, from the glacial pulse of “Hiero-Bosch for Khalil” to the guttural synth whine of “Panthers Bass Plock.” Brief pockets of relief stand out—the nostalgic “Serbian Daffodil” and gently unfolding arpeggios of “Open Foe”—but as a brooding, melancholic whole, it hits hard.


Genre: Electronic

Years Active: '00s

Mixing computer-generated crunches, pops, and clicks with organic synthesizer tones and heavily processed sounds, U.K. native Chris Clark creates tense electronica that struggles between a sense of natural wonder and exuberance and dark, foreboding under currents. Clark, who lived in Bristol and Brighton before settling in Birmingham, debuted on Warp with the wintry Clarence Park, released in 2001. Recorded while he was still at university, it was a promising first record, full of cold, terse synths...
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The Last Panthers, Clark
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