5 Songs, 19 Minutes

EDITORS’ NOTES

Over the course of 2006 and 2007, Lil Wayne flooded the market with mixtapes that allowed his unconscious to run wild. The Leak is the only officially-released album of this ultra-prolific period, and while it isn’t as uproariously ingenious as the mixtapes that preceded it, or as willfully eccentric as the album that followed it (Tha Carter III), it represents the point just before Wayne’s confidence and creativity coincided in sizzling climax. “I’m Me” swells with confidence, and knowing that he now has his audience in the palm of his hand Wayne once again shows that he is unafraid to push his rhymes to the brink of insanity: “And you have all witnessed, but I am not finished / Keep your mouth closed and let your eyes listen.” “Gossip,” “Love Me or Hate Me,” and “Talkin’ About It” are the songs of a crown prince who already knows the throne is his. Wayne delivers The Leak like a warning to his audience, as if challenging the public to oppose a personality as audacious and inexorable as his: “Stop analyzing, criticizing / You should realize what I am / And start epitomizing.”

EDITORS’ NOTES

Over the course of 2006 and 2007, Lil Wayne flooded the market with mixtapes that allowed his unconscious to run wild. The Leak is the only officially-released album of this ultra-prolific period, and while it isn’t as uproariously ingenious as the mixtapes that preceded it, or as willfully eccentric as the album that followed it (Tha Carter III), it represents the point just before Wayne’s confidence and creativity coincided in sizzling climax. “I’m Me” swells with confidence, and knowing that he now has his audience in the palm of his hand Wayne once again shows that he is unafraid to push his rhymes to the brink of insanity: “And you have all witnessed, but I am not finished / Keep your mouth closed and let your eyes listen.” “Gossip,” “Love Me or Hate Me,” and “Talkin’ About It” are the songs of a crown prince who already knows the throne is his. Wayne delivers The Leak like a warning to his audience, as if challenging the public to oppose a personality as audacious and inexorable as his: “Stop analyzing, criticizing / You should realize what I am / And start epitomizing.”

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About Lil Wayne

When Lil Wayne debuted as a 12-year-old kid on the B.G.’z 1995 album True Story, it wasn’t exactly clear that he’d become one of the best rappers of his generation. It’s not just that he’s clever or funny—it’s the way his style manages to balance classic, boast-driven rap with the kind of wild metaphors and constellatory thinking often left to poets. In other words, Wayne didn’t just get high, he ate stars; he didn’t just devour rappers, he told you—in gross, gastrointestinal detail—how they felt going down, stretching the conventional vocabulary of rap to its limits. A native of New Orleans (“That’s why I holler ‘Hollygrove’ on each and every song,” he raps on Tha Carter II’s “Fly In”), Wayne (born Dwayne Carter in 1982) started writing rhymes at eight or nine, attracting the attention of Cash Money Records cofounder Bryan “Baby” Williams by freestyling relentlessly into Williams’ voicemail. (As recently as 2015, Wayne still knew the number by heart.) After joining the short-lived but influential Hot Boys with fellow Cash Money rappers Juvenile, B.G., and Turk, Wayne launched an instantaneously successful solo career, exploring his ever-evolving lyricism while moving further into the mainstream, turning out a dizzying string of albums and mixtapes in the 2000s that were as radical as they were popular, his Tha Carter series most notable among them. In 2005, he managed to find time to start Young Money Entertainment, signing Nicki Minaj and Drake before most people knew their names. Beset by legal troubles (including a one-year sentence at Rikers Island), health issues (including an epilepsy diagnosis), and disagreements with his label, Wayne had a rough start to the 2010s but barely slowed down, releasing a steady stream of albums and mixtapes—including full-length collaborations with T-Pain and 2 Chainz—that continued to mine his seemingly endless imagination. Even if he made good on his periodic threats to retire (he called 2018’s Tha Carter V his last studio album), the fallout from his impact is everywhere, from Young Thug to Migos to Tyler, the Creator and Chance the Rapper—anyone who zigs when the rest zag.

HOMETOWN
New Orleans, LA
BORN
September 27, 1982

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