12 Songs

EDITORS’ NOTES

The Staves are a three-piece female folk trio from England. But American influences—from gothic Appalachian folk to '70s West Coast hippie rock— clearly shape their music. Hinting occasionally at the dark, slightly dour tones of Peggy Sue and Wye Oak, these three young sisters (Emily, Jessica, and Camilla Staveley-Taylor) soften things with a faint promise of bluebirds and sunny meadows, as opposed to the croaking ravens and creaky homesteads Peggy Sue and Wye Oak explore. With heavenly, delicate harmonies and stripped-down instrumentation, they tell vivid stories with evocative lyrics and imaginative arrangements; strummed ukulele notes flitter around a softly billowing organ, while two minutes of a cappella gold give way to a startling, propulsive handclap-footstomp hootenanny. Jessica's guitar playing serves up gentle jangles and fleet fingerwork, and the airy, crystalline production lets the sisters' magical vocals really breathe and shine. It's produced by the father-and-son team of Glyn and Ethan Johns, who together have produced artists ranging from The Beatles and Bob Dylan to Rufus Wainwright and Ryan Adams.

EDITORS’ NOTES

The Staves are a three-piece female folk trio from England. But American influences—from gothic Appalachian folk to '70s West Coast hippie rock— clearly shape their music. Hinting occasionally at the dark, slightly dour tones of Peggy Sue and Wye Oak, these three young sisters (Emily, Jessica, and Camilla Staveley-Taylor) soften things with a faint promise of bluebirds and sunny meadows, as opposed to the croaking ravens and creaky homesteads Peggy Sue and Wye Oak explore. With heavenly, delicate harmonies and stripped-down instrumentation, they tell vivid stories with evocative lyrics and imaginative arrangements; strummed ukulele notes flitter around a softly billowing organ, while two minutes of a cappella gold give way to a startling, propulsive handclap-footstomp hootenanny. Jessica's guitar playing serves up gentle jangles and fleet fingerwork, and the airy, crystalline production lets the sisters' magical vocals really breathe and shine. It's produced by the father-and-son team of Glyn and Ethan Johns, who together have produced artists ranging from The Beatles and Bob Dylan to Rufus Wainwright and Ryan Adams.

TITLE TIME
3:40
3:27
4:27
4:12
2:39
2:45
2:53
3:37
3:27
4:06
3:53
7:03

About The Staves

Taking a cue from youthful folk revivalists like Laura Marling, Mountain Man, and the Pierces, Watford, England's the Staves blend the wistful cadences of classic British folk with breezy, Laurel Canyon-era Americana. The trio was formed in 2010 around the talents of sisters Emily (vocals), Jessica (vocals/guitar), and Camilla Staveley-Taylor (vocals/ukulele), who first learned to harmonize by singing along with their parents' record collection, dominated by the likes of Simon & Garfunkel and Crosby, Stills, Nash & Young. Emily was only 14 years old when the siblings made their live debut at a neighborhood pub's open-mike night, but they were well received and began appearing on a regular basis. They released their debut EP, Facing West, in 2010, and the same year they performed as backing vocalists on Tom Jones' 2010 gospel collection Praise & Blame.

The year 2011 brought a pair of EPs, Live at Cecil Sharp House and Mexico, which brought them to the attention of the major labels. The siblings signed with Atlantic Records, and capitalizing on the buzz created by their well-received debuts, they spent the beginning of 2012 supporting acts the Civil Wars and Bon Iver in North America before releasing their first full-length outing, Dead & Born & Grown, which was produced by Glyn and Ethan Johns. The fall of 2014 saw the release of another EP, Blood I Bled; the title track was a preview of the album If I Was, which was produced by Bon Iver's Justin Vernon and released in February 2015. The trio toured with Florence and the Machine, and also appeared at Glastonbury. An EP, Sleeping in a Car, followed in 2016. ~ James Christopher Monger

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