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Crazy Saints (Digital Only)

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Album Review

Percussionist Trilok Gurtu comes from a long line of respected Indian classical musicians, but he's best known for his genre-blending fusions of world music and jazz. Crazy Saints is one of his most complex and challenging releases to date, enlisting the aid of jazz legends like guitarist Pat Metheny and Joe Zawinul to create a thoroughly modern sound that moves from razor sharp ensemble work to dizzying solos. The most effective songs are those that mine Gurtu's myriad world music influences, including "Manini" and "Blessing in Disguise," both of which are blessed with the haunting vocal ululations of Indian music legend Shobha Gurtu, the drummer's mother. The genteel balladry of "Ballad for 2 Musicians" and the excessive ambient noodling of "The Other Tune" may tax the patience of those with a lower tolerance for modern jazz wankery. But ultimately songs like the title track, which marries blistering beats in quirky time signatures with heavenly vocals and dazzling instrumental interplay, make the album a fine foray into jazz/world fusion.

Biography

Born: July 7, 1932 in Vienna, Austria

Genre: Jazz

Years Active: '60s, '70s, '80s, '90s, '00s

Joe Zawinul belonged in a category unto himself -- a European from the heartland of the classical music tradition (Vienna) who learned to swing as freely as any American jazzer, and whose appetite for growth and change remained insatiable. Zawinul's curiosity and openness to all kinds of sounds made him one of the driving forces behind the electronic jazz-rock revolution of the late '60s and '70s -- and later, he would be almost alone in exploring fusions between jazz-rock and ethnic music from all...
Full Bio