11 Songs, 49 Minutes

EDITORS’ NOTES

The Outsider might be Rodney Crowell’s most musically simplistic album, but it’s also his most lyrically ambitious. Bob Dylan is a shadow hanging over this record, and his influence seems to have become a preoccupation for Crowell in middle age. On “Beautiful Despair” he sings: “Beautiful despair is hearing Dylan when you're drunk at 3 a.m./Knowing that the chances are no matter what you'll never write like him/Oh brother.” Other songs address what Crowell sees as the deteriorating state of the world. “The Obscenity Prayer” is an acidic satire of American materialism, while “Don’t Get Me Started” deals with everything from the national debt to overseas wars and is by far the most overtly political statement Crowell has ever put on record. The Dylan influence is made more explicit on a cover of “Shelter from the Storm,” sung with Crowell’s longtime benefactor Emmylou Harris. For all of Crowell’s lyrical ambitions, The Outsider fares best when he matches straightforward lyrics to straightforward riffs, as on “Say You Love Me,” a hopped-up merger of Byrds melody and amplified grit.

EDITORS’ NOTES

The Outsider might be Rodney Crowell’s most musically simplistic album, but it’s also his most lyrically ambitious. Bob Dylan is a shadow hanging over this record, and his influence seems to have become a preoccupation for Crowell in middle age. On “Beautiful Despair” he sings: “Beautiful despair is hearing Dylan when you're drunk at 3 a.m./Knowing that the chances are no matter what you'll never write like him/Oh brother.” Other songs address what Crowell sees as the deteriorating state of the world. “The Obscenity Prayer” is an acidic satire of American materialism, while “Don’t Get Me Started” deals with everything from the national debt to overseas wars and is by far the most overtly political statement Crowell has ever put on record. The Dylan influence is made more explicit on a cover of “Shelter from the Storm,” sung with Crowell’s longtime benefactor Emmylou Harris. For all of Crowell’s lyrical ambitions, The Outsider fares best when he matches straightforward lyrics to straightforward riffs, as on “Say You Love Me,” a hopped-up merger of Byrds melody and amplified grit.

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Ratings and Reviews

4.5 out of 5
12 Ratings
12 Ratings
hbrand

Love this...

Another great album by Rodney. I bought his first recordings when they came out on lp and I've never stopped getting them yet! The weakest of his albums in my mind were "Jewel of the South" and "Life is Messy", and even those are good! I recommend this recording highly, as I do his other two most recent, "The Houston Kid" and "Fate's Right Hand". He always writes great songs, sings elegantly, and has top-flight musicians.

baahaus

Thanks

I've heard of Crowell for years but never really had been exposed to his talent until recently. I heard his music on a radio show (Woodsongs Old Time Radio Hour) and now I'm a fan. This album is the first of his in my collection and it has restored my faith in the power of music. Sometimes humorous, sometimes cutting, and sometimes just plain great, there isn't a dud in this whole album. I'm going to stock up on all of his previous work now. Thanks Mr. Crowell!

A Sparrow

This One A Must!

Rodney's last three cd's are killer! He is without a doubt the best thing going in the country/rock genera. He is writing songs for people who are awake and thinking, people who like to get into the words of a song and share it with friends. Keep on Rodney, and come back to Minnesota again soon, we miss ya already!

About Rodney Crowell

When Rodney Crowell first gained widespread recognition as a leader of the new traditionalist movement of the mid-'80s, he was, in fact, a singer, songwriter, and producer with roots and ambitions extending far beyond the movement's perimeter. Born to a musical family on August 7, 1950 in Houston, Texas, Crowell formed his first band, the Arbitrators, while in high school, and in 1972 moved to Nashville to become a professional musician. There, he struck up friendships with singer/songwriters Townes Van Zandt and Guy Clark.

Crowell's first big break came while he was performing as a lounge singer, where one of his acoustic sets was heard by Jerry Reed. Crowell's own "You Can't Keep Me Here in Tennessee" caught the ear of Reed and his manager, and two days later, Reed recorded the song after signing Crowell to his publishing company. In 1975, Crowell moved to Los Angeles to join Emmylou Harris' Hot Band as a guitarist, and soon became one of her primary songwriters; among the Crowell compositions Harris first popularized were "Till I Gain Control Again," "Ain't Livin' Long Like This," "Leaving Louisiana in the Broad Daylight," and "Bluebird Wine." In 1977, Crowell exited the Hot Band to form his own group, the Cherry Bombs, and in 1978 released his first album, Ain't Living Long Like This; surprisingly, given that he had built his growing reputation as a songwriter, his first two minor hits -- "Elvira" and "(Now and Then, There's) A Fool Such as I" -- were both covers.

Also in 1978, Crowell began producing tracks for the album Right or Wrong, the American debut from singer/songwriter Rosanne Cash; around the time of the record's 1979 release, he and Cash married. In between recording his own 1980 sophomore record, But What Will the Neighbors Think, and producing Cash's commercial breakthrough, Seven Year Ache, Crowell's songwriting career took full flight when "Leavin' Louisiana in the Broad Daylight" hit number one for the Oak Ridge Boys in 1980. Among his other significant compositions were "Till I Gain Control Again" (a number one for Crystal Gayle in 1983), "Shame on the Moon" (a Top Five pop hit for Bob Seger in 1982), "Long Hard Road (The Sharecropper's Dream)" (a 1984 number one for the Nitty Gritty Dirt Band), and "Somewhere Tonight" (a number one in 1987 for Highway 101).

In 1980, Crowell issued his own first hit, "Ashes by Now," which was a Top 40 pop crossover success; the follow-up, "Stars on the Water," was popular with both pop and country listeners. In 1981, he issued his third LP, a self-titled effort that was not commercially successful; when a fourth effort was rejected by his label, he turned his energies to writing and producing, most significantly helming Cash's 1987 masterpiece King's Record Shop. At Cash's urging, Crowell reignited his performing career in 1986 with the acclaimed Street Language, an eclectic effort co-produced by Memphis soul legend Booker T. Jones.

In 1988, Crowell finally broke through commercially with Diamonds & Dirt, a record that generated an unbroken string of five number one singles with "It's Such a Small World" (a duet with Cash), "I Couldn't Leave You If I Tried," "She's Crazy for Leavin'" (co-written by Guy Clark), "After All This Time," and "Above and Beyond." Keys to the Highway was also highly successful.

Crowell and Cash divorced in 1991, prompting both artists to document their marriage's dissolution with starkly confessional albums; Crowell's 1992 Life Is Messy featured guests Steve Winwood and Linda Ronstadt. Switching to MCA Records for Let the Picture Paint Itself in 1994, he followed with Jewel of the South the next year. In 1997, he formed the Cicadas with longtime backup musicians Steuart Smith, Michael Rhodes, and Vince Santoro. He married singer Claudia Church in 1998, and in 1999 wrote her country chart debut, "What's the Matter with You Baby." Crowell issued his first album since 1995, The Houston Kid, in 2001. Continuing in the autobiographical vein of that record, he released Fate's Right Hand in 2003, followed by The Outsider in 2005 and Sex and Gasoline in 2008. In 2012, Crowell released the album Kin in collaboration with best-selling memoirist and poet Mary Karr. Produced by Joe Henry, it included musical contributions from Lucinda Williams, Norah Jones, Kris Kristofferson, Vince Gill, Lee Ann Womack, Rosanne Cash, Chely Wright, and Emmylou Harris on songs Crowell and Karr co-wrote together.

In 2013, Crowell revisited his partnership with Harris, producer Brian Ahern, and other members of the Hot Band on the Nonesuch album Old Yellow Moon. Crowell and Harris teamed up again two years later on the album The Traveling Kind. Crowell resumed his solo career with Tarpaper Sky, which was released in April of 2014 on New West. An introspective and primarily acoustic set, Close Ties, arrived in March 2017, again through New West. ~ Jason Ankeny

HOMETOWN
Houston, TX
GENRE
Country
BORN
August 7, 1950

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