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The Steve Howe Album

Steve Howe

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Reseña de álbum

Steve Howe's second solo effort is his most essential recording. The Steve Howe Album contains many of Howe's strongest and most original compositions. Whereas some of his albums can be associated with the sound of the bands in which he's played, this release is unique. Howe places himself in a country/bluegrass setting on most of the compositions, and that is what makes this project so appealing — he's a rock veteran venturing outside of his field. And with Graham Preskett playing violin on "The Continental," Howe turns in what sounds like a real hoedown. The first track, "Pennants," is a gem for the more rock-oriented fan. The cut opens with the sweet, resonant, rocking sounds of Howe's Fender Telecaster; he then adds mandolin and a pervasive twin-neck steel, while drummer Alan White keeps it all rhythmic. Half of the tracks are played by Howe alone, most notably "Surface Tension," his composition for solo Spanish guitar. Other cuts feature former Yes-mates White, Bill Bruford, and Patrick Moraz (all of whom participated on Howe's first solo album), and Claire Hamill, who sings beautifully on "Look Over Your Shoulder." Only one other cut includes vocals: "All's a Chord," on which Howe's singing is awkward but appealing. The song, comprised of several movements and musical styles (including classical), features Howe on eight different stringed instruments, including bass, pedal steel, sitar, banjo, mandolin, and his trademark deep-bodied electric-acoustic Gibson ES 175 D. The final two pieces are set apart from the rest of the recordings. On both compositions, equipped only with his Gibson Les Paul, Howe is accompanied by a string ensemble on his interpretation of Vivaldi's Concerto in D, Second Movement, and by a 59-piece orchestra on "Double Rondo." Andrew Jackman (who served as orchestrator and conductor on Chris Squire's Fish Out of Water several years earlier) conducts. The Steve Howe Album is a culmination of everything Howe represents, every genre of music he loves so dearly, exquisitely played and arranged. The inside cover colorfully depicts all the stringed instruments Howe used on the recordings, and Roger Dean's cover painting makes the package complete. The sound quality of the Japanese import compact disc is unsurpassed, incredibly sharp and vibrant.

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One of the best

Every track is a gem. What an amazing talent. Steve creates wonderful landscapes on his guitar.

Vintage Howe

This may be Steve Howe's most versatile album and as such, nearly serves as a best of, including solo acoustic gems (Meadow Rag), Yes-style rock (Pennants) and incredible electric solo pieces (Diary of a Man Who Vanished). A must have for guitar music enthusiasts.

What if Yes had waited in '78?

Maybe they might've made something of what eventually became "Sketches in the Sun", and/or they might've caught the vibe of this album. In 1979, on the heels of the good-but-disappointing *Tormato*, this album seemed ilke a sign of hope, as if at least somebody in the band (despite the eclectic approach) wanted to serve up a reminder of what Yes was (or at least had been) all about. Alas, it wasn't quite to be, but at least we got this. If you're a Steve Howe fan and don't have this, what are you waiting for? I only gave it four stars because it's not, say, *Close To The Edge*, but it's definitely a classic.

Biografía

Nacido/a: London, England, 08 de abril de 1947

Género: Rock

Años de actividad: '60s, '70s, '80s, '90s, '00s, '10s

Steve Howe was born in London on April 8, 1947. When he began playing guitar he had quite a few influences, chief among them was Chet Atkins. When you consider that two of the others were Django Reinhardt and the duo of Les Paul & Mary Ford, it is really hard to believe that he would become one of the most influential guitarists in progressive rock. In fact, his first band was a Chuck Berry-infused band called the Syndicats. He began playing with that group in 1964. They released several singles...
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The Steve Howe Album, Steve Howe
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