11 Songs

EDITORS’ NOTES

Having departed his old record label and learned that his wife was leaving him for another man during the making of this album, Jim White imbues many of the songs here with a dark emotionalism. "The Way of Alone," "The Wintered Blue Sky," and the self-explanatory "Epilogue to a Marriage" are harrowing self-exorcisms. Members of Olabelle, Shak Nasti, and The Heap are among the guests who color in the arrangements, with White himself handling guitar, piano, "flutes & whistles," programming, and percussion. The music and writing are inspired and inspiring. The beauty of the horn-fired "Sunday's Refrain," the raw atmospherics of "My Brother's Keeper," and the celebratory jaunt of "Here We Go!" provide nuanced sonic detail, while the rustic, acoustic country-folk-blues of "State of Grace" captures a timeless charm and camaraderie among its loving harmonies. The piano opener, "Chase the Dark Away," has an ambience recalling Big Star's Third, with White reaching out like another Athens, Ga.-based songwriter, the late Vic Chesnutt. White lays it out cold: "Graveyards of lost loved ones/Just watch them drift away." 

EDITORS’ NOTES

Having departed his old record label and learned that his wife was leaving him for another man during the making of this album, Jim White imbues many of the songs here with a dark emotionalism. "The Way of Alone," "The Wintered Blue Sky," and the self-explanatory "Epilogue to a Marriage" are harrowing self-exorcisms. Members of Olabelle, Shak Nasti, and The Heap are among the guests who color in the arrangements, with White himself handling guitar, piano, "flutes & whistles," programming, and percussion. The music and writing are inspired and inspiring. The beauty of the horn-fired "Sunday's Refrain," the raw atmospherics of "My Brother's Keeper," and the celebratory jaunt of "Here We Go!" provide nuanced sonic detail, while the rustic, acoustic country-folk-blues of "State of Grace" captures a timeless charm and camaraderie among its loving harmonies. The piano opener, "Chase the Dark Away," has an ambience recalling Big Star's Third, with White reaching out like another Athens, Ga.-based songwriter, the late Vic Chesnutt. White lays it out cold: "Graveyards of lost loved ones/Just watch them drift away." 

TITLE TIME
5:30
5:00
5:45
5:19
3:22
5:03
3:04
7:21
5:50
6:50
5:01

About Jim White

Southern Gothic singer/songwriter Jim White grew up in Pensacola, Florida, enamored with the sounds of the white gospel music he heard on the Gospel Jubilee television series. After spending his formative years on the outskirts of a deeply Pentecostal community, he entertained a career as a professional surfer, followed by a stint in Milan as a fashion model. A bandsaw accident that resulted in a maimed left hand seemed to end White's hopes as a musician, but after writing a collection of simple songs on his guitar, a friend convinced him to record a demo, which ultimately made its way to the offices of David Byrne's Luaka Bop label. After re-recording the songs, White issued his debut, Wrong-Eyed Jesus!, a collection of atmospheric, oddly spiritual country-folk performances, in 1997. No Such Place was issued in early 2001. In 2004, White released Drill a Hole in That Substrate and Tell Me What You See (again on Luaka Bop), which featured such eccentric guests as the Barenaked Ladies, Aimee Mann, and Bill Frisell. The year 2005 saw the release of Music from Searching for the Wrong-Eyed Jesus, a soundtrack to the surrealist road film by director Andrew Douglas that featured material by White, the Handsome Family, 16 Horsepower, and others. Transnormal Skiperoo arrived in 2007, followed by the live EP Funny Little Cross to Bear in early 2009. Sounds of the Americans appeared in 2011. Parting ways with Luaka Bop, White continued his fascinating and eclectic journey through the mists of Americana with Where It Hits You early in 2012, his first release for new label Yep Roc Records. In 2014, White was approached by the Athens, Georgia roots music ensemble the Packway Handle Band to produce an album for the group, and the project grew into a collaborative project between White and the Packways, 2015's Take It Like a Man. ~ Jason Ankeny

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