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Lee Konitz With Warne Marsh

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Recorded in London, this quartet date with bassist Peter Ind and drummer Al Levitt is a reunion between the very complementary stylists Lee Konitz on alto and tenor-saxophonist Warne Marsh. Their repertoire (common chord changes) and cool jazz styles are not that surprising but both of the saxophonists sound quite inspired to be in each other's presence; they always brought out the best in each other. The melodic and boppish improvisations reward repeated listenings.

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Very well done!

This is a great record. Oscar Pettiford is awesome on bass, and Kenny Clarke is THE bebop drummer. Lee and Warne swing cool and even a little blue on "Don't Squawk". Also, Billy Bauer was a brilliant guitarist who never got much credit or recognition. He deserves it.


One of the great albums of the 50s, and the best of all Konitz/Marsh records. Inventive, swinging, totally original.


Great cool interplay of all these musicians!


Nacido(a): 13 de octubre de 1927 en Chicago, IL

Género: Jazz

Años de actividad: '40s, '50s, '60s, '70s, '80s, '90s, '00s, '10s

One of the most individual of all altoists (and one of the few in the 1950s who did not sound like a cousin of Charlie Parker), the cool-toned Lee Konitz has always had a strong musical curiosity that has led him to consistently take chances and stretch himself, usually quite successfully. Early on he studied clarinet, switched to alto, and played with Jerry Wald. Konitz gained some attention for his solos with Claude Thornhill & His Orchestra (1947). He began studying with Lennie Tristano, who...
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Lee Konitz With Warne Marsh, Lee Konitz
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