"This Is Hardcore" by Pulp on iTunes

13 Songs

EDITORS’ NOTES

Pulp frontman Jarvis Cocker likes to have a laugh. At his expense, at yours, at life itself. Whether it’s tragedy turning to farce or his youth getting old, Cocker sees something in the transformation that makes for engaging cinema. As the leader of Pulp, he’s determined to wring the full entertainment value out of the situation with mannerisms that send things over the top. “I’m not Jesus, though I’ve got the same initials,” he sings with a wink, “I am the man who stays home and does the dishes.” 1998’s This is Hardcore was considered a bit of a comedown after the ebullient pop and social class study of 1995’s Different Class, but it’s a matter of texture and expectation. This is Hardcore is the darker, more confused album. How does a young pop star deal with the fact that getting what you want doesn’t guarantee satisfaction? With music that borrows from early Roxy Music, Mott the Hoople and the Kinks, Pulp celebrate their British roots in style. There’s an epic grandeur to “The Fear,” a quiet desperation to “Help the Aged,” “Seductive Barry” and “A Little Soul,” and a hip, knowing confident leer to “I’m a Man” that made the group one of Britain’s true bright spots in the 1990s.

EDITORS’ NOTES

Pulp frontman Jarvis Cocker likes to have a laugh. At his expense, at yours, at life itself. Whether it’s tragedy turning to farce or his youth getting old, Cocker sees something in the transformation that makes for engaging cinema. As the leader of Pulp, he’s determined to wring the full entertainment value out of the situation with mannerisms that send things over the top. “I’m not Jesus, though I’ve got the same initials,” he sings with a wink, “I am the man who stays home and does the dishes.” 1998’s This is Hardcore was considered a bit of a comedown after the ebullient pop and social class study of 1995’s Different Class, but it’s a matter of texture and expectation. This is Hardcore is the darker, more confused album. How does a young pop star deal with the fact that getting what you want doesn’t guarantee satisfaction? With music that borrows from early Roxy Music, Mott the Hoople and the Kinks, Pulp celebrate their British roots in style. There’s an epic grandeur to “The Fear,” a quiet desperation to “Help the Aged,” “Seductive Barry” and “A Little Soul,” and a hip, knowing confident leer to “I’m a Man” that made the group one of Britain’s true bright spots in the 1990s.

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Customer Reviews

4.6 out of 5

46 Ratings

Great Album!

EDT,

An album with consistent tracks. The lyrics are sharp and much of the album has very catchy tracks. Tracks I recommend whole heartedly are as follows, The Fear, Dishes, Party Hard, Help the Aged, This is Hardcore, I'm a Man, Sylvia, The Day after the revolution, and Like a Friend. Wow, 9 out of 13 tracks! A very good Brit rock band. I hope they come out with more.

PULP<33

jacqueline_was_17,

I'm amazed by Pulp!! Every song I hear by them is amazing and this Album is no exception! I LOVE PULP in my library and my orange juice! lol!

About Pulp

Most bands hit the big time immediately and fade away, or they build a dedicated following and slowly climb their way to the top. Pulp didn't follow either route. For the first 12 years of their existence, Pulp languished in near total obscurity, releasing a handful of albums and singles in the '80s to barely any attention. At the turn of the decade, the group began to gain an audience, sparking a remarkable turn of events that made the band one of the most popular British groups of the '90s. By the time Pulp became famous, the band had gone through numerous different incarnations and changes in style, covering nearly every indie rock touchstone from post-punk to dance. Pulp's signature sound is a fusion of David Bowie and Roxy Music's glam rock, disco, new wave, acid house, Europop, and British indie rock. The group's cheap synthesizers and sweeping melodies reflect the lyrical obsessions of lead vocalist Jarvis Cocker, who alternates between sex and sharp, funny portraits of working class misfits. Out of second-hand pop, Pulp fashioned a distinctive, stylish sound that made camp into something grand and glamorous that retained a palpable sense of gritty reality.

Jarvis Cocker formed Pulp in 1978, when he was 15 years old. Originally called Arabicus Pulp, the first lineup consisted of schoolmates of Cocker. After a year, the band's name was truncated to Pulp. While they were in school, Pulp performed a handful of gigs. The band recorded a demo sometime in 1980-1981, giving the tape to John Peel at one of his traveling shows. Peel liked the tape and invited the band to appear on his show. Pulp had their first Peel Session in November 1981. Instead of leading to record deals and pop stardom, Pulp's appearance on Peel led nowhere. Discouraged by the band's lack of success, every member but Cocker left the band in 1982 to go to university. The following year, Cocker assembled a new lineup which featured eight members, including keyboardist Simon Hinkler, who would later join the Mission. In this incarnation, Pulp had distinct folk overtones, as well as new wave underpinnings. The group landed their first record contract, releasing their debut album, It, in 1984. It didn't make much of an impact and the band fell apart again. After the second incarnation of Pulp disintegrated, Jarvis Cocker formed another version of the band, with guitarist/violinist Russell Senior, who became Cocker's first full-fledged collaborator. Cocker and Senior added drummer Magnus Doyle and bassist Peter Mansell to the group, as well as Tim Allcard, who did nothing but read poetry. Musically, Pulp backed away from the folky inclinations of It, adding keyboardist Candida Doyle in 1985, which led to a darker sound; shortly after her arrival, Allcard left the group. In 1985, Pulp released a series of singles on Fire Records. Just as their fortunes were looking up, Cocker became injured severely. As he was trying to impress a girl, he fell 30 feet out of a window, injuring his pelvis, foot, and wrist. For two months, he was confined to a wheelchair, but he performed concerts anyway.

Released in 1986, Pulp's second album, Freaks, was a dense, dark affair. Following its release, the band split during the filming of the video for "They Suffocate at Night." All of the members, except Cocker and Senior, left the group. For a year, the band was dormant, but Candida Doyle returned in 1987, with drummer Nick Banks and bassist Steven Havenhand joining shortly afterward. Havenhand was soon replaced by Anthony Genn, who was soon replaced by Steve Mackey. Although the group had a stable lineup, they weren't gaining much of a following. In 1988, Cocker moved to London with Mackey and began studying filmmaking at St. Martin's College. While he was studying, Pulp was offered the chance to record another album. The resulting album, Separations, was recorded in 1989 and reflected Cocker's newfound obsession with acid house but it also boasted some full-fledged pop songs. Separations was released nearly three years after it was completed. Cocker was prepared to stake out a career in film when a single from the album, "My Legendary Girlfriend," was released. NME named the song Single of the Week in 1991 and Pulp's career suddenly took off.

In early 1992, Pulp left Fire Records for Gift, and began releasing a series of singles that consolidated the success of "My Legendary Girlfriend." In particular, "Babies" earned the band a great deal of attention. "Babies" led to a contract with Island Records, their first major-label deal. Island released Pulpintro, a compilation of the Gift singles, as the band recorded its major-label debut, His 'n' Hers. Upon its spring 1994 release, His 'n' Hers earned positive reviews and became an unexpected success, reaching the British Top Ten; it was also nominated for the 1994 Mercury Award. For the rest of 1994 and the early part of 1995, Jarvis Cocker suddenly became omnipresent on British television. These suave, humorous television appearances became legendary, making Cocker somewhat of a national hero, as well as a sex symbol.

No matter how popular Jarvis Cocker had become, the band didn't break into the big time until they released "Common People." The single became a massive hit upon its May 1995 release, debuting at number two on the U.K. charts. In July, Pulp accepted a last-minute headlining slot at Glastonbury Festival when the Stone Roses had to cancel. Pulp's set was rapturously received, launching the band into superstar status in England and conveniently setting the stage for their forthcoming album, Different Class. During the recording of the album, guitarist Mark Webber -- the president of Pulp's fan club -- became a full-time member of the group. The first record to feature Webber was the double A-sided single, "Mis-Shapes" and "Sorted for E's & Wizz," which was released in August, two months before Different Class. The single became a number two hit, despite a major tabloid controversy over the lyrics to "Sorted."

Different Class arrived in late October to rave reviews throughout the British press. The album entered the charts at number one, going gold within its first week and platinum within the second. At the end of the year, the album topped many best-of-the-year lists. In February of 1996, Different Class was released in the United States to positive reviews. The massive fame and attention that Different Class brought Pulp influenced the direction of their follow-up, 1998's world-weary, paranoid This Is Hardcore. The album's troubled sound and somewhat mixed reception led some to speculate whether or not the group would continue; the band's members took some time to pursue side projects such as DJ-ing at various nightclubs and remixing tracks for artists like Black Box Recorder and Death in Vegas. Meanwhile, they continued to play live, performing at various festivals, including the Meltdown festival curated by Scott Walker. Walker proved such an inspiration for the group that Pulp hired him on as the producer of their new material after recording with Chris Thomas went unsatisfactorily. The resulting album, We Love Life -- its name inspired by the September 11 terrorist attacks -- was released in the fall of 2001 in the UK and in the spring of 2002 in the US to critical acclaim. In 2006, Cocker released a solo album entitled Jarvis. ~ Stephen Thomas Erlewine

  • ORIGIN
    Sheffield, Yorkshire, England
  • FORMED
    1978

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