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Three Imaginary Boys (Deluxe Edition)

The Cure

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Customer Reviews

bones of the body

The Cure's first album proves what can be accomplished when you take stripped down elements and assemble them with style. The Cure's body of work is most celebrated for lush production and epic constructions; here are the bones of that body. Consider the opener "10:15 Saturday Night," with its clean, skeletal sound and anatomical structure; there is as much "there" there as in any multi-tracked operatic tune, it's just that it lacks fleshiness. When you consider the early progression of the Cure, you can feel the extra flesh being applied throughout each new album: nervous system in SEVENTEEN SECONDS, pumping organs in FAITH, and hard working muscles in PORNOGRAPHY. When you consider where that progression led them over the years--especially to the magnum opus DISINTEGRATION--then the Cure's early genius in the spare, playful, experimental, and brilliant THREE IMAGINARY BOYS becomes especially obvious. --Joshua Hendrickson

there's some good tracks

there's some songs in here that I'd never heard before, like Heroin Face and I Want to Be Old definitely worth buying!

!!!

this is actually one of my favorite cure albums. its amazing to see how much their sound changes over the years. but this album is for sure worth the purchase. especially if you really want to know all about the cure.

Biography

Formed: 1976 in Crawley, England

Genre: Alternative

Years Active: '70s, '80s, '90s, '00s, '10s

Out of all the bands that emerged in the immediate aftermath of punk rock in the late '70s, few were as enduring and popular as the Cure. Led through numerous incarnations by guitarist/vocalist Robert Smith (born April 21, 1959), the band became well-known for its slow, gloomy dirges and Smith's ghoulish appearance, a public image that often hid the diversity of the Cure's music. At the outset, the Cure played jagged, edgy pop songs before slowly evolving into a more textured outfit. As one of the...
Full Bio