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Live At the BBC

Fairport Convention

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Album Review

Is a four-CD box set of Fairport Convention 1967-1974 BBC recordings excessive? After all, even the Beatles only got two CDs of Beeb tracks into official release. But it really isn't too much for fans of the band, for the quality of most of the stuff here is truly good, even if the very best of it was already issued on the Heyday compilation. There's a lot more here, however. While the expanded Heyday CD contains 20 tracks from 1968-1969, this offers a relatively whopping 69, and where Heyday focused exclusively on late-'60s sessions done while Sandy Denny was in the lineup (which was admittedly their peak era), this has a few recordings predating Denny's entrance into Fairport, as well as quite a few post-dating her departure (and a few from when she briefly rejoined the group in the mid-'70s). Most important of all, this has quite a few songs, particularly folk-rock cover versions from the late '60s, that didn't make it onto official Fairport Convention releases of the time.

Certainly the first two discs of the set are the strongest, as all but three of the tracks date from the 1968-1969 Denny era. If you're already heard Heyday, you know how good some of these gems are, like their superb interpretation of Leonard Cohen's "Suzanne," and their fine reworkings of songs by Richard Fariña ("Reno, Nevada"), the Everly Brothers, Gene Clark ("Tried So Hard"), Eric Andersen ("Close the Door Lightly When You Go"), Bob Dylan ("Percy's Song"), Johnny Cash ("I Still Miss Someone"), and Joni Mitchell ("I Don't Know Where I Stand"), as well as quality originals like "Autopsy" and "Shattering Live Experience." This set includes a few other goodies, however, some of which were previously on bootlegs and benefit from much-improved sound here (Joni Mitchell's "Eastern Rain," "Marcie," and "Night in the City"), and one of which ("Jack of Diamonds," an obscure Bob Dylan lyric set to music by Ben Carruthers from their first LP) had never even previously shown up on those old bootlegs. It's true the blues songs "You're Gonna Need My Help" and "If It Feels Good You Know It Can't Be Wrong" are kind of lame, but at least they preserve one aspect of the early band's repertoire.

It's also true that disc three (all taken from 1970-1974 sessions) pales a little in comparison to the first pair of CDs, but these do document Fairport's transition to a much more English traditional folk-oriented group, with Denny re-entering on the four songs from 1974. The fidelity on disc four (subtitled "Off Air") is indeed taken from off-air recordings rather than original tapes, and has noticeably poorer fidelity, though it's actually not that bad. Even these performances, however (some of which found prior release on the Fairport Unconventional box set, as had a few other stray tracks from the first three discs), are quite enjoyable, with eight songs done in 1967-1968 when Judy Dyble was still in the lineup. Some of these songs, too, Eric Andersen's "Violets of Dawn," Bob Dylan's "Lay Down Your Weary Tune" — never found release on their official albums, and there are other highlights (or at least intriguing oddities) like their December 1968 send-up of "Light My Fire" and a 1970 version of "Tam Lin" with male lead vocals (though Denny had taken the lead on the familiar studio recording). In all, this is essential for Fairport fans, and is not solely or primarily of historical interest, making for quite fine listening on its own terms.

Customer Reviews

Pity about those Full House tracks...

I love Fairport Convention & am glad to see iTunes offering this Live at the BBC set. But this is a problematic release. Many of the songs (around 40) have been previously released elsewhere in fine sound quality. The biggest problem is the Full House tracks, which sound note-for-note like degraded versions of the studio release -- not live at all! I'm delighted with the rarities, like "Jack O' Diamonds," but I recommend you not spend your money on tracks 32-38.

Biography

Formed: 1967 in London, England

Genre: Singer/Songwriter

Years Active: '60s, '70s, '80s, '90s, '00s, '10s

The best British folk-rock band of the late '60s, Fairport Convention did more than any other act to develop a truly British variation on the folk-rock prototype by drawing upon traditional material and styles indigenous to the British Isles. While the revved-up renditions of traditional British folk tunes drew the most critical attention, the group members were also (at least at the outset) talented songwriters as well as interpreters. They were comfortable with conventional harmony-based folk-rock...
Full Bio