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||Morning Prayer||Ian McGlynn||4:29||$0.99||View in iTunes|
||You Might Understand||Ian McGlynn||4:03||$0.99||View in iTunes|
||The Exception||Ian McGlynn||3:49||$0.99||View in iTunes|
||No Time||Ian McGlynn||2:08||$0.99||View in iTunes|
||Southard Park||Ian McGlynn||3:28||$0.99||View in iTunes|
||How Did I Get Here?||Ian McGlynn||2:04||$0.99||View in iTunes|
||Carnivalism||Ian McGlynn||3:14||$0.99||View in iTunes|
||Be My Guide||Ian McGlynn||3:56||$0.99||View in iTunes|
||Here for Me and Not for You||Ian McGlynn||4:25||$0.99||View in iTunes|
||Brian Might Understand||Ian McGlynn||0:42||$0.99||View in iTunes|
||Turn Away||Ian McGlynn||3:40||$0.99||View in iTunes|
Ian McGlynn debuted on record in December 2002 with Lemon, an hourlong live set played in a club with his breathy tenor and piano accompanied only by bass and drums, singing 15 introspective, moody songs to a small audience. It was a sensitive and somewhat precious sendoff, but the keyboard technique of this Berklee graduate suggested he had places to go as a musician. Less than a year and a half later, Tomorrow's Taken, his studio debut, demonstrates far more musical ambition and variety, and it also makes some of his influences clearer. McGlynn and his producer, Shane Tutmarc, handle most of the instruments, including plenty of programming, in constructing some complex soundscapes that use various keyboard textures and mix in synthesized sounds to ape strings and horns, for an effect that often harks back to the 1960s, specifically to the 1966-1967 era of the Beatles (closing track "Turn Away" is something of an homage to "Strawberry Fields Forever") and to the early work of Chicago (particularly on "No Time") when that band was extrapolating ideas introduced by Paul McCartney on Revolver. McGlynn and Tutmarc's musical concepts tend to overwhelm McGlynn's mere melodies and lyrics, but he remains a moody, introspective songwriter beneath the glitz, which suggests another familiar influence, Brian Wilson. Tomorrow's Taken is both a highly inventive work and one steeped in the traditions of progressive pop/rock.
“You might understand” why Ian has captivated audiences everywhere for so many years when you here this album. There is a definite progression in Ian’s writing style that retains his melodic piano lines and his amazing voice. Choir-style harmonies as well as integrating new beats like on “The Exception” and “Here for me and not for you” bring a great new element to his sound. Even if you’ve never had the pleasure of playing on the swings at “Southard Park,” this gorgeous melody will bring you right into the moment. The songwriting, arrangements, melodies and Ian's voice make this album a great listen from start to finish.
A must have
Tomorrow's Taken is a great album. The songs are well crafted and the production is top notch. Notable highlights include, "Here for me and Not for You", "How Did I Get Here?" and "No Time." From start to finish this album will hold your attention. Highly recommended!
A voice that melts hearts within a 72 foot radius.
Despite the forward-pointing title, Ian McGlynn’s debut album “Tomorrow’s Taken” leaves a nostalgic impression. With reminders of Maximillian Hecker, Chicago, or even the horn-y 70’s reminiscence of Air, the album offers a hopeful brand of melancholy. It has an intimate, live-in-the-living-room feel. Advil bottles offer the beat to achy lyrics on “Carnivalism“ while harpsichords juxtapose against retro-styled synths on “The Exception“. The color of the music calls to mind a memory you never had. His gentle voice and forgiving lyrics try to untangle today by reflecting on the past, and admit to not having the answers. Still, “Tomorrow’s Taken” leaves you with faith in the future and the rolling tunes forge a path to find your way back home again.
Years Active: '00s