11 Songs, 48 Minutes

EDITORS’ NOTES

With a warm croon that recalls the mature romance of country star Jim Reeves and French pop chansonnier Serge Gainsbourg, plus orchestral arrangements ripped from the Lee Hazlewood playbook (or maybe The Tindersticks), Richard Hawley excels at dark, lonely, and hypnotic songs of love and loss. His fifth solo album, Lady's Bridge, is named after a landmark in his native Sheffield, England (as was his previous release, the excellent Cole's Corner). "Valentine" opens the album with a majestic, twinkling elegance as the strings rise to meet this gracious singer who's headlining in his own electrified cocktail lounge. Piano and a flowing rhythm mirror the sentiments of "Roll River Roll," a timeless tune that could've been penned in any decade. "Serious" picks up the pace with a near-rockabilly skip. "Tonight the Streets Are Ours" revels in a celebratory vamp. But mostly, Hawley relies on slow, bittersweet pulses ("Lady Solitude," "Our Darkness," "The Sun Refused to Shine"). His reputation began as a capable sideman for Jarvis Cocker and Pulp, but his own talents demand notice; they're never secondary.

EDITORS’ NOTES

With a warm croon that recalls the mature romance of country star Jim Reeves and French pop chansonnier Serge Gainsbourg, plus orchestral arrangements ripped from the Lee Hazlewood playbook (or maybe The Tindersticks), Richard Hawley excels at dark, lonely, and hypnotic songs of love and loss. His fifth solo album, Lady's Bridge, is named after a landmark in his native Sheffield, England (as was his previous release, the excellent Cole's Corner). "Valentine" opens the album with a majestic, twinkling elegance as the strings rise to meet this gracious singer who's headlining in his own electrified cocktail lounge. Piano and a flowing rhythm mirror the sentiments of "Roll River Roll," a timeless tune that could've been penned in any decade. "Serious" picks up the pace with a near-rockabilly skip. "Tonight the Streets Are Ours" revels in a celebratory vamp. But mostly, Hawley relies on slow, bittersweet pulses ("Lady Solitude," "Our Darkness," "The Sun Refused to Shine"). His reputation began as a capable sideman for Jarvis Cocker and Pulp, but his own talents demand notice; they're never secondary.

TITLE TIME
4:27
5:10
3:24
3:39
5:32
3:58
5:54
3:59
3:18
4:07
4:56

About Richard Hawley

With a melodic baritone anguish that falls somewhere in the neighborhood of Scott Walker, Pulp touring guitarist and former Longpigs member Richard Hawley began his solo career with a self-titled debut in 2001. The son of a steel worker, Hawley was raised in Sheffield, England, and grew up listening to folks such as Roy Orbison and Elvis Presley. He learned guitar at an early age from his father and uncle. During the '90s he built up a reputation as an ace guitarist and, besides his stints in Pulp and Longpigs, did session work for U.K. artists such as Robbie Williams, Beth Orton, and All Saints. He released his self-titled debut in April 2001. Hawley's sophomore effort, Late Night Final, which cloaked his sweet baritone and heart-worn songs in lush arrangements, followed in 2002 on Bar-None Records. Hawley toured behind the album, opening for the likes of Coldplay and Pulp. Also in 2002, Hawley and Pulp leader Jarvis Cocker recorded a track for the tribute album Total Lee! The Songs of Lee Hazlewood. The next year, Hawley returned with the personal Lowedges, which was named for a place just outside his native Sheffield. In September 2005, Hawley released his first album for Mute, the bittersweet Coles Corner. He followed it in 2007 with Lady's Bridge. Hawley was approached by Mute label boss Daniel Miller, who asked him if he had an album in him he'd always wanted to make regardless of commercial concerns. Hawley responded in the affirmative and underscored his remark with, "There won't be any singles on it." Miller told him to go ahead and record it anyway. That album, Truelove's Gutter, was released by the label in 2009. He followed it with a four-track EP in 2010 entitled False Lights from the Land, featuring two originals and two covers. In the spring of 2012, Hawley released Standing at the Sky's Edge, on Parlophone, an aggressive, two-guitar, bass, drums -- and rocket noises -- rock & roll album, which stood in stark contrast to his previous full-lengths.

After a couple of short tours, Hawley retreated to Sheffield and suffered a broken leg. During his recuperation, he wrote Hollow Meadows (again named for a location in Sheffield). The album was recorded at the Yellow Arch Studios and co-produced with longtime guitarist Shez Sheridan and Colin Elliot. It features guest appearances by Martin Simpson, Jarvis Cocker, and Nancy Kerr, and was released on September 11, 2015. ~ Erik Hage

  • ORIGIN
    Sheffield, South Yorkshire, Engla
  • GENRE
    Rock
  • BORN
    January 17, 1967

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