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Toninho In Vienna

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Reseña de álbum

Highly regarded in Brazilian circles, Toninho Horta has also attracted some attention in the U.S. over the years (mostly in the jazz world). This self-titled date, reissued on CD in 1990, makes it clear that Horta (an expressive pop singer who is also a moving jazz guitarist) knows how to get his points across quite well without being aggressive. Horta's warm vocals on such caressing, samba-influenced pop as "Sagun," "Minha Casa" and "Bons Amigos" show just how effective subtlety can be. As gentle and restrained as Horta is, he never comes across as wimpy or lightweight. Horta the instrumentalist is well represented by "The Vulture's Rights" and "Prato Feito," which boasts Pat Metheny on electric guitar. When Metheny and Horta play side by side, it's easy to hear how they've influenced one another. Consistently strong, this CD demonstrates that Metheny has good reason to hold Horta in such high regard.

Reseñas de clientes

Great Album

Toninho was a great inspiration during my Berklee days. After listening to these songs I feel like playing nylon again. Now, is the review refering to another album?

Almost perfect, but wonderful!

I stil think "Serenade" is Toninho's best, but thi is sure a treat to follow-up with.

Biografía

Nacido/a: Minas Gerais, Brazil, 02 de diciembre de 1948

Género: Jazz

Años de actividad: '70s, '80s, '90s, '00s

Influential composer/guitarist with a developed personal style of harmonization, Toninho Horta has had extensive participation in other artists's projects, and has also recorded more than ten solo albums (having special guests like Pat Metheny, Naná Vasconcelos, and Eliane Elias), many of them released internationally. Some of his hits as composer are "Diana" (with Fernando Brant), "O Céu De Brasília" (with Fernando Brant),...
Biografía completa
Toninho In Vienna, Toninho Horta
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