12 Songs, 1 Hour, 2 Minutes

EDITORS’ NOTES

As the virtual godfathers of the UK’s late-‘70s-early ‘80s Goth movement, Bauhaus defined a cold, steely sound where gloom and doom were represented in pure sonic overkill and the life-is-pain vocal histrionics of singer Peter Murphy. Recorded in 18 days, 25 years after their last studio release, and planned as a posthumous reunion, 2008’s Go Away White is an intriguing addition to the band’s sparse catalog. At 10 songs and 49 minutes, it stands as a concise statement of purpose. “Saved” lurches with an ominous minimalism. “Too Much 21st Century” punches with a garage band’s force. “International Bulletproof Talent,” “Endless Summer of the Damned” and “Mirror Remains” catch glimpses of the band’s David Bowie influence alongside the musical values they championed back in their golden era. Go Away White is a sincere update from men who once created a seismic shift in underground music. Their revolution was won years ago; they now take their place as notable elder statesmen. The album comes with two videos taken from the band's legend-making Coachella performance, including the group's calling card, "Bela Lugosi's Dead" (performed by Peter Murphy while he was suspended upside down.)

EDITORS’ NOTES

As the virtual godfathers of the UK’s late-‘70s-early ‘80s Goth movement, Bauhaus defined a cold, steely sound where gloom and doom were represented in pure sonic overkill and the life-is-pain vocal histrionics of singer Peter Murphy. Recorded in 18 days, 25 years after their last studio release, and planned as a posthumous reunion, 2008’s Go Away White is an intriguing addition to the band’s sparse catalog. At 10 songs and 49 minutes, it stands as a concise statement of purpose. “Saved” lurches with an ominous minimalism. “Too Much 21st Century” punches with a garage band’s force. “International Bulletproof Talent,” “Endless Summer of the Damned” and “Mirror Remains” catch glimpses of the band’s David Bowie influence alongside the musical values they championed back in their golden era. Go Away White is a sincere update from men who once created a seismic shift in underground music. Their revolution was won years ago; they now take their place as notable elder statesmen. The album comes with two videos taken from the band's legend-making Coachella performance, including the group's calling card, "Bela Lugosi's Dead" (performed by Peter Murphy while he was suspended upside down.)

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Customer Reviews

4 out of 5

79 Ratings

a worthwhile comeback

shoeprogram,

this is a good album. it is true to bauhaus form. they are still a great band. endless summer of the damned is a great track

Back and Suprisingly Not in Black

Comradebot,

I believe this might be the only studio album by Bauhaus without any large amounts of black on it. But inside is something just as brilliant as what they released 25+ years ago. Classic Goth rock created in the modern era. As someone else stated, it does have a bit of a Bowie feel to it, but with the very distinct Bauhaus sound. Gone though are many of the cathartic yelps and screams that Peter Murphy liked to add, but I personally feel that might have been for the best. Big props to the droning dirge of "Saved", which made my skin tingle when I first heard it. "Andrenalin" drips with, well, adrenaline. Recommended Tracks: "Too Much 21st Century" "Andrenalin" "International Bulletproof Talent" "Saved" "The Dog's a Vapour" To reiterate, brilliant album. Almost sounds like if Goth rock had existed in the mid 70s, if that makes since to anyone. Guess that goes back to the Bowie thing. Great album, buy it if you love Goth rock in general, or if you're an open-minded individual with a diverse love of good music from all ends of the spectrum. This spectrum being black... that's going away white. I couldn't resist, shameful, I know.

About Bauhaus

Bauhaus are the founding fathers of goth rock, creating a minimalistic, overbearingly gloomy style of post-punk rock driven by jagged guitar chords and cold, distant synthesizers. Throughout their brief career, the band explored all the variations on their bleak musical ideas, adding elements of glam rock, experimental electronic rock, funk, and heavy metal. While their following has never expanded beyond a cult, they kept their cult alive well into the '90s, a full decade after they disbanded.

The group formed in 1978 in Northampton, England. Guitarist/vocalist Daniel Ash, bassist/vocalist David J (born David Jay Haskins), and drummer Kevin Haskins had played together as a trio called the Craze before forming Bauhaus with vocalist Peter Murphy. Originally, the band was called Bauhaus 1919 after the German art movement; by 1979, they had dropped the 1919 from their name.

In August of 1979, the group released their debut single, "Bela Lugosi's Dead," on the independent record label Small Wonder Records. Although it did not make the pop charts, it became the de facto goth rock anthem, staying in the U.K. independent charts for years. Three months later, the group signed with Beggars Banquet's subsidiary label, 4AD. The group's second single, "Dark Entries," was released in January 1980. Following their first European tour, Bauhaus released their third single, "Terror Couple Kill Colonel," in the summer of that year, which became a hit on the indie charts.

After touring America for the first time in September, the group released a version of T. Rex's "Telegram Sam." In October, they released their debut album, In the Flat Field, which reached number one on the independent charts and number 72 on the pop charts. The success of the album led to their first hits on the pop charts; both "Kick in the Eye" and "The Passion of Lovers" made the U.K. Top 60 in 1981. In October, they released their second album, Mask, which revealed a more ambitious musical direction; the new direction, which featured elements of metal and electronic sonic textures, made the music more accessible without abandoning the dark, foreboding core of their music. Mask was a commercial success, peaking at number 30 on the U.K. charts.

In March of 1982, Bauhaus released the EP Searching for Satori, which reached number 45 on the U.K. charts; another successful single, "Spirit," followed in the summer. That fall, the group had a number 15 hit with their version of David Bowie's "Ziggy Stardust." The success of the single propelled their third album, The Sky's Gone Out, to number four on the album charts.

Murphy contracted pneumonia at the beginning of 1983, which prevented him from participating in the recording sessions for Bauhaus' fourth album, Burning From the Inside. Consequently, the record featured substantial contributions from Ash and J, who both pursued more personal and atmospheric directions. After Murphy recovered, the band toured Japan and then returned to the U.K. to promote the summer release of Burning From the Inside. The album was another hit, peaking at number 13. In July, Bauhaus split up.

After Bauhaus' breakup, Murphy formed Dali's Car with Japan's Mick Karn and then pursued a solo career. Ash continued with Tones on Tail, a project he began in 1981; Kevin Haskins also joined the band after Bauhaus' split. J made some solo records and joined the Jazz Butcher briefly. Ash, Haskins, and J formed Love and Rockets in 1985 after a proposed Bauhaus reunion fell apart because Peter Murphy wasn't interested in the project. More than a decade later, however, with the careers of both Love and Rockets and Peter Murphy at a standstill, Bauhaus re-formed for several live dates in Los Angeles, mounting a full-blown tour in 1998; the two-disc Gotham documented the reunited group's performance at New York's Hammerstein Ballroom. In 2008, the band resurfaced again with Go Away White, a studio album they promised as their last statement. ~ Stephen Thomas Erlewine

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