10 Songs, 36 Minutes

EDITORS’ NOTES

The Sea and Cake is that rare side-project that equals if not trumps its members’ full-time gigs. (Initially, the group was conceived as a one-off while Sam Prekop figured what to do after the critically acclaimed Shrimp Boat.) It’s also that rare side project where the result is more conventional and arguably less self-indulgent. Everybody is an accessible pop album where the two guitars intertwine, laid-back vocals chase the breezy melodies. and the rhythms keep things tight without complicating matters. For anyone more accustomed to drummer McEntire’s day job with Tortoise or conversant with the probing solo work of Sam Prekop or Archer Prewitt, Chicago’s Sea and Cake are a surprising celebration of convention. Not to suggest that the group take a predictable path. “Exact to Me” stutters with a frenetic minimalism where its clean lines are softly and subtly colored by quick injections of guitars and keyboards, “Left On” channels the guitar turbulence of space-rock. Much of this lightness of being oddly enough recalls the slick, pleasing attack of Boz Scaggs’ Silk Degrees-era soul-pop, as “Middlenight,” “Lightning” and “Introducing” whizz past like a graceful and refreshing ocean breeze.

EDITORS’ NOTES

The Sea and Cake is that rare side-project that equals if not trumps its members’ full-time gigs. (Initially, the group was conceived as a one-off while Sam Prekop figured what to do after the critically acclaimed Shrimp Boat.) It’s also that rare side project where the result is more conventional and arguably less self-indulgent. Everybody is an accessible pop album where the two guitars intertwine, laid-back vocals chase the breezy melodies. and the rhythms keep things tight without complicating matters. For anyone more accustomed to drummer McEntire’s day job with Tortoise or conversant with the probing solo work of Sam Prekop or Archer Prewitt, Chicago’s Sea and Cake are a surprising celebration of convention. Not to suggest that the group take a predictable path. “Exact to Me” stutters with a frenetic minimalism where its clean lines are softly and subtly colored by quick injections of guitars and keyboards, “Left On” channels the guitar turbulence of space-rock. Much of this lightness of being oddly enough recalls the slick, pleasing attack of Boz Scaggs’ Silk Degrees-era soul-pop, as “Middlenight,” “Lightning” and “Introducing” whizz past like a graceful and refreshing ocean breeze.

TITLE TIME
3:36
2:52
2:46
3:32
2:54
3:39
4:11
3:22
4:53
4:47

About The Sea and Cake

The Sea and Cake are a post-rock supergroup of sorts, comprised of luminaries from the Chicago independent scene. The band is led by singer/guitarist Sam Prekop, who, along with bassist Eric Claridge, was an alumnus of the frequently brilliant Shrimp Boat. After that group's dissolution, Prekop and Claridge were offered the opportunity to embark on a new project and hastily recruited ex-Coctails guitarist Archer Prewitt and Tortoise drummer John McEntire before entering the studio. Originally intended as a one-off project, the musicians decided to continue performing together, and after selecting the name the Sea and Cake -- derived from McEntire's misinterpretation of the Gastr del Sol song "The C in Cake" -- they issued their eponymous 1994 debut, an enigmatic collection highlighting Prekop's stream-of-consciousness wordplay and singular fusion of pop, jazz, blue-eyed soul, and Krautrock styles.

In 1995, the group returned with two more LPs, the intricate Nassau and the shimmering The Biz. After the release of The Fawn in 1997, the band took a break while both Prewitt and Prekop released solo albums. Finally, in 2000, the Sea and Cake released their fifth album, Oui, followed three years later by the delivery of their most elegant album yet, One Bedroom. By this point, the group's repertoire had swelled to include African-inspired riffs, Brazilian influences, and guitar-based indie pop, and they hit a wellspring of creativity as the decade wound to a close. Everybody and Car Alarm were released in quick succession, with Everybody appearing in 2007 and Car Alarm arriving in 2008. An EP, The Moonlight Butterfly, followed in 2011, as did a round of recording sessions for the band's tenth studio album. The results, Runner, appeared in September 2012. ~ Jason Ankeny

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