12 Songs

EDITORS’ NOTES

Along with reissued albums by bands like Dust and Leaf Hound, the short-lived revival of proto-metal at the dawn of the 21st century also reignited the careers of more seminal groups like Blue Cheer and Pentagram. Last Rites is the 2011 album by the latter band. Producer Travis Wyrick did his homework and mixed the album to sound as timeless as the 40-year-old group's early work. Of course, getting Pentagram’s favored guitarist, Victor Griffin, helped make Last Rites an album that should have been released decades ago. “Treat Me Right” blasts sludge-coated riffs with blinding, white-hot, fuzz-guitar leads that have held up over the years as amazingly well as singer Bobby Liebling’s gritty and soulful rasp. The attention paid to the detail of period-correct guitar tones and vocal production in “Call the Man” is sure to make fans of vintage metal and vintage amplifiers salivate. Pentagram even dusts off a few old songs; the bluesy “Everything’s Turned to Night” and the Sabbathesque “Walk in Blue Light” each get a fidelity upgrade without sacrificing any classic tonality.

EDITORS’ NOTES

Along with reissued albums by bands like Dust and Leaf Hound, the short-lived revival of proto-metal at the dawn of the 21st century also reignited the careers of more seminal groups like Blue Cheer and Pentagram. Last Rites is the 2011 album by the latter band. Producer Travis Wyrick did his homework and mixed the album to sound as timeless as the 40-year-old group's early work. Of course, getting Pentagram’s favored guitarist, Victor Griffin, helped make Last Rites an album that should have been released decades ago. “Treat Me Right” blasts sludge-coated riffs with blinding, white-hot, fuzz-guitar leads that have held up over the years as amazingly well as singer Bobby Liebling’s gritty and soulful rasp. The attention paid to the detail of period-correct guitar tones and vocal production in “Call the Man” is sure to make fans of vintage metal and vintage amplifiers salivate. Pentagram even dusts off a few old songs; the bluesy “Everything’s Turned to Night” and the Sabbathesque “Walk in Blue Light” each get a fidelity upgrade without sacrificing any classic tonality.

TITLE TIME
2:32
3:49
4:21
5:01
3:17
4:32
4:32
4:59
3:38
4:01
3:36
0:57

About Pentagram

One of the most enduring and influential underground bands in heavy metal history, Pentagram's career was almost 15 years old by the time they finally managed to record their first album. Though invariably led by mysterious frontman Bobby Liebling, the band's volatile membership made it difficult to maintain any kind of momentum and kept them confined to metal's outer fringes. But interest in Pentagram's convoluted history continues to grow and their crucial contributions to the development of heavy metal seem at last to be receiving some of their late, lamented due.

Pentagram first came into existence in 1971 in Woodbridge, VA, when singer Bobby Liebling met guitarist/drummer Geof O'Keefe. In the coming months, the duo played with a variety of local musicians, including guitarist John Jennings, bassist Vincent McAllister, and drummer Steve Martin, but by early 1972, McAllister had switched to guitar, O'Keefe took over on drums, and Greg Mayne joined on bass guitar. This lineup of Liebling, McAllister, Mayne, and O'Keefe would remain intact for the next six years, and though they occasionally performed under different names, including Virgin Death, Stone Bunny, and Macabre (the last of which graced their first single, "Be Forewarned," in 1972), they always inevitably returned to Pentagram. Another element of stability was their musical direction, which never strayed too far from the distorted psychedelic hard rock of heavy metal pioneers like Blue Cheer and the Groundhogs. A set of independent 7" recordings, "Human Hurricane" and "When the Screams Come" (this last was never released) preceded their first live performance on December 15, 1973, by which time a visible Black Sabbath influence had begun to take hold. Second guitarist Randy Palmer joined their ranks mid-1974 and his addition coincided with Pentagram's most prolific period of the decade, including close calls with record deals from both Columbia and Casablanca Records. But by 1976, Palmer was out (briefly replaced by Marty Iverson) and all of the band's professional prospects had dried up, leaving Pentagram to grind to a halt at the end of the year.

After years of silence, Liebling was finally encouraged to resume his career in mid-1978, when he met a musical soul mate in local drummer Joey Hasselvander, but it wasn't until Halloween 1981 that Pentagram was truly brought back from the dead. By then, Hasselvander had joined a new group called Death Row, which featured a young, Black Sabbath-obsessed guitarist named Victor Griffin. When Liebling stopped by for a jam, creative sparks flew almost immediately and with the addition of bassist Martin Swaney, the group officially assumed the Pentagram name once again. More years of hard work playing in clubs and composing new material followed, but in 1985, Pentagram finally recorded a full-length, self-titled debut (minus Hasselvander, who was replaced at the last minute by drummer Stuart Rose). Later retitled Relentless, the record may have been dedicated to Blue Cheer, but its contents owed an almost singular stylistic debt to Black Sabbath and along with its even more accomplished 1987 successor Day of Reckoning, it helped set the stage for the looming doom metal movement. Not fast enough for Pentagram to capitalize, however, and following another lengthy hiatus, a new contract from Peaceville Records finally led to another comeback via 1994's Be Forewarned LP (featuring a reinstated Hasselvander). But the musical climate of the time was very unfriendly to heavy metal of any kind, and the doom scene had never managed to coalesce as expected, leading Pentagram to another, seemingly final breakup.

Then in 1998, a clandestine, unauthorized collection of early Pentagram demos and live bootlegs, entitled Human Hurricane, was unexpectedly released, prompting Liebling and Hasselvander to take action. Both 1999's Review Your Choices and 2001's Sub-Basement combined new compositions with updated versions of the band's ancient classics and featured Hasselvander playing every instrument. The controversy also sparked greater interest in Pentagram's music and its substantial impact on the heavy metal genre, culminating in the priceless (and this time fully authorized) collection of long-lost '70s recordings entitled First Daze Here (The Vintage Collection). Another compilation, Turn to Stone, arrived later in 2002, compiling material from their Peaceville albums that had gone out of print in the late 90's. ~ Ed Rivadavia

  • ORIGIN
    Woodbridge, VA
  • GENRE
    Metal
  • FORMED
    1971

Top Songs by Pentagram

Top Albums by Pentagram

Listeners Also Played