14 Songs, 51 Minutes

EDITORS’ NOTES

The saucy Neptunes production “Milkshake” got most of the radio love, but Kelis’ Tasty, her third album, is a gem from start to finish. Also featuring assistance from Andre 3000 (on the electro-heavy “Millionaire”) and former Tony! Toni! Toné! frontman Raphael Saadiq, the album is an expansive demonstration of Kelis Rogers’ talents and concerns. She dares paramour and guest rapper Nas to do it “In Public” — not the only time that a winning, wicked laugh escapes her lips. It’s not all naughty-girl play; “Protect My Heart,” which recalls early-’80s hits by the S.O.S. Band, is a cute sort-of lament about falling hard, while “Rolling Through the Hood” manages to fit both a lover’s woes and a citizen’s social concerns into its lyric. Spread the word: Tasty is an extraordinarily catchy, smart dish.

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EDITORS’ NOTES

The saucy Neptunes production “Milkshake” got most of the radio love, but Kelis’ Tasty, her third album, is a gem from start to finish. Also featuring assistance from Andre 3000 (on the electro-heavy “Millionaire”) and former Tony! Toni! Toné! frontman Raphael Saadiq, the album is an expansive demonstration of Kelis Rogers’ talents and concerns. She dares paramour and guest rapper Nas to do it “In Public” — not the only time that a winning, wicked laugh escapes her lips. It’s not all naughty-girl play; “Protect My Heart,” which recalls early-’80s hits by the S.O.S. Band, is a cute sort-of lament about falling hard, while “Rolling Through the Hood” manages to fit both a lover’s woes and a citizen’s social concerns into its lyric. Spread the word: Tasty is an extraordinarily catchy, smart dish.

*WEA.MusicPages.Riaa.Clean*
TITLE TIME

Ratings and Reviews

4.1 out of 5
13 Ratings
13 Ratings

really cool

BRITNEYFREAK22

i love the song "milkshake" this album is so cool

Kelis' sophomore 'Tasty' is even better than her debut album

musicloversuckers1

1 Intro 3/5- A really awkward way to open up the album. Ah, whatever, it's just the intro.
2 Trick Me 4/5- There is a strange appeal to this song that entices me. A great track.
3 Milkshake 4/5- Definitely worth its hype. A great fun song. Highly impressive. I like it.
4 Keep It Down, Pt. II 4/5- It may be an oddball on the album, but a great song nonetheless
5 In Public 3.5/5- I'm not a big fan of the sexual undertones of the song, but it's sufficient enough to be good
6 Flashback 2.5/5- I'd say this is an album filler, but literally eighty percent of the album has no fillers
7 Protect My Heart 3/5- Not terrible, but not a great song to be honest. Don't worry it gets better.
8 Millionaire 4/5- Another great song from the album. The beats and vocals are strong too. Recommended.
9 Glow 3/5- Not terrible, but not great either. The album eventually lets up in the end.
10 Sugar Honey Iced Tea 2.5/5- A nice relaxation song, but nothing more. Not really a standout track.
11 Attention 2.5/5- Unimpressive, but what can you do? A sufficient effort, but not a great one.
12 Rolling Through the Hood 3/5- Better than the previous five songs, but nothing real special here.
13 Stick Up 4/5- I really have a liking to this song. Great material and great potential.
14 Marathon 4/5- An awkward, but decent closing. A very great song.

Overall, if you liked Kelis' Kaleidoscope, your going to find your 'tasty' treat with Kelis' sophomore album. There is plenty to offer.

Tasteless

Essentialism

Tasteless. Vulgar. Dull. Inane. LCD.

About Kelis

A charismatic singer and songwriter who, for several years, was closely associated with the Neptunes, Kelis arrived at the tail-end of the '90s and left an immediate impression with her first solo single, "Caught Out There" -- a Top Ten R&B single with a frank and screamed chorus. While her other Top Ten R&B single, 2003's Grammy-nominated "Milkshake," was also something of a novelty hit -- and also produced by the Neptunes -- Kelis released some of the most creative R&B albums of the late '90s and 2000s. In the 2010s, she took left turns that defied expectations and remained a fascinating, unpredictable artist.

Bred in Manhattan's Harlem neighborhood, Kelis Rogers left home at 16 and landed a deal with Virgin four years later. She appeared in August 1999 with a featured role on Ol' Dirty Bastard's Neptunes-produced single "Got Your Money." Her debut album, Kaleidoscope, was out by the end of the year, produced entirely by the Neptunes' Pharrell Williams and Chad Hugo. It peaked at only number 144 in the U.S. but went gold in the U.K. Two years later, she teamed up with the Neptunes once again for Wanderland. The album was issued in Europe only. Political reworkings within the U.S. wing of Virgin prevented a stateside release, which compelled Kelis to leave for Arista. Released in 2003, Tasty yielded the Top Ten hit "Milkshake," yet another Neptunes production. The song was nominated for a 2004 Grammy award in the category of Best Urban/Alternative Performance. After Kelis married Nas (a relationship that would last roughly four years), Kelis Was Here was released in 2006 through Jive, led by the duly assertive "Bossy" and featuring a verse from Too Short. The album spawned no other hits, and it would be her last studio work for the label, despite its nomination for a Best Contemporary R&B Album Grammy. Jive subsequently packaged The Hits, a mix of singles and album cuts that also featured some of the singer's most popular collaborations, such as "Get Your Money," N.E.R.D.'s "Truth or Dare," and Richard X's "Finest Dreams."

Between 2006 and 2010, Kelis indulged her other passion, cookery -- enrolling at and eventually graduating from Le Cordon Bleu cooking school as a fully qualified chef. In 2010 she returned to music, signing to Interscope through the will.i.am music group and releasing Flesh Tone (2010), an EDM-flavored set featuring productions from David Guetta, Benny Benassi, Boys Noize, Diplo, and Jean Baptiste. It peaked at number five on Billboard's club chart. The following year, she sang on Calvin Harris' single "Bounce," which hit number two on the U.K. singles chart. In 2013, Kelis announced that she had signed with Ninja Tune, a cult British label known for its electronica releases. She linked up with Dave Sitek of TV on the Radio and emerged the following year with the album Food, released in April. Compared to her earlier R&B work, the album was relatively raw with a couple stylistic diversions and a number of food-related song titles, such as the single "Jerk Ribs." Around that time, she presented the program Saucy & Sweet for the Cooking Channel. ~ MacKenzie Wilson & Andy Kellman

HOMETOWN
New York, NY [Harlem]
BORN
August 21, 1979

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