14 Songs, 48 Minutes

EDITORS’ NOTES

Singing like 1970 never ended just comes naturally to Gainesville, Fla.–based soul singer Charles Bradley. Menahan Street Band leader Thomas Brenneck discovered Bradley, who’d been busking around New York City for decades. After a grip of Brenneck-produced 45 singles gained traction, No Time for Dreaming was recorded with the same kind of period-correct production favored by Sharon Jones & The Dap Kings. The opening song, “The World (Is Going Up in Flames),” fleshes out that Daptone sound with classic Southern soul trimmings including female backing singers, vibraphone, a gritty horn section, and a smooth bassist who sounds schooled by Carol Kaye. The sweltering ballad “I Believe in Your Love” plays as if Bradley has hijacked a microphone from Shuggie Otis and is fronting the band that played on Inspiration Information. Bradley’s voice breaks up like a young James Brown in the gritty funk of “Golden Rule” before the infectious title track grooves on a greasy strut of timeless tones and the audio kiss of analog hiss. A standout cover of Neil Young’s “Heart of Gold” rivals Merry Clayton’s 1971 cover of “Southern Man.”

EDITORS’ NOTES

Singing like 1970 never ended just comes naturally to Gainesville, Fla.–based soul singer Charles Bradley. Menahan Street Band leader Thomas Brenneck discovered Bradley, who’d been busking around New York City for decades. After a grip of Brenneck-produced 45 singles gained traction, No Time for Dreaming was recorded with the same kind of period-correct production favored by Sharon Jones & The Dap Kings. The opening song, “The World (Is Going Up in Flames),” fleshes out that Daptone sound with classic Southern soul trimmings including female backing singers, vibraphone, a gritty horn section, and a smooth bassist who sounds schooled by Carol Kaye. The sweltering ballad “I Believe in Your Love” plays as if Bradley has hijacked a microphone from Shuggie Otis and is fronting the band that played on Inspiration Information. Bradley’s voice breaks up like a young James Brown in the gritty funk of “Golden Rule” before the infectious title track grooves on a greasy strut of timeless tones and the audio kiss of analog hiss. A standout cover of Neil Young’s “Heart of Gold” rivals Merry Clayton’s 1971 cover of “Southern Man.”

TITLE TIME
3:22
3:48
3:29
3:54
1:02
5:27
2:52
3:54
3:21
4:09
4:16
2:56
3:03
3:11

About Charles Bradley

Soul and R&B singer Charles Bradley definitely didn't arrive as a recording artist by taking the easy route. Born in Gainesville, Florida in 1948, but raised in Brooklyn, New York, Bradley spent a good part of his childhood living on the streets. A transformational moment came when his sister took him to see James Brown at the Apollo in 1962. Bradley was struck by Brown's energy and stage manner, and began practicing microphone tricks with a broom at home, dreaming of being a star on his own stage, and it was a dream he would never abandon in spite of all sorts of mishaps, misdirects, and general hard times.

Bradley escaped Brooklyn by joining the federal Job Corps program, which took him to Bar Harbor, Maine, where he learned to cook, a profession he was to fall back on time and time again. He also put together a band in Maine and began playing local gigs. The band didn't last long, though, and when most of its members were drafted, and with the Vietnam War hanging in the air, Bradley moved to Wassaic, New York, where he worked as a cook at a hospital for the mentally ill. Nine years later, he left that position and hitchhiked west, ending up in Alaska for a time before moving to California, again taking a job as a chef, and for the next 20 years he performed music on the side, playing whatever gigs he could find. When he was laid off from his position, though, he began to doubt his decision to live so far from where he grew up.

Bradley eventually relocated back to Brooklyn, this time working at odd jobs instead of returning to being a chef. He never let go of his musical dreams, and he began performing his James Brown-inspired routines in such local clubs as Black Velvet, attracting a loyal following and eventually capturing the attention of Gabriel Roth from Daptone Records. Roth immediately brought the fiery singer into label sessions, releasing a single, "Take It as It Comes," that showed what Bradley had to offer as a vocalist. Roth also introduced Bradley to Thomas Brenneck, then a guitarist, songwriter, and home producer for Dirt Rifle & the Bullets. The pair had an affinity for each other musically, and together they released two singles on Daptone as Charles Bradley & the Bullets before the actual group by that name disbanded (most of the members went in an Afro-beat direction with the Budos Band).

Brenneck and Bradley continued to work together, and after Bradley told him about waking up in his home one morning to discover his nephew had shot and killed his brother, Brenneck suggested they tell the story in music as a catharsis and as a cautionary tale. The result, tracked with the Menahan Street Band, was a pair of impassioned singles, "The World (Is Going Up in Flames)" and "Heartaches and Pain," which Brenneck released on his Daptone sublabel Dunham Records. These weren't songs drawn from Bradley's Black Velvet act, but were instead highly personal and striking outings that put his own emerging voice as a singer and songwriter at the center of things. A full album for Dunham, No Time for Dreaming, appeared early in 2011. Bradley received global acclaim for the album, and toured relentlessly to support it. His follow-up, Victim of Love, was released in the spring of 2013. In 2015, Bradley released a single through Daptone that featured a powerful, soul-charged reworking of the Black Sabbath number "Changes." The single and its accompanying music video became underground hits, and the song became the cornerstone of Bradley's next Dunham/Daptone album, 2016's Changes. ~ Steve Leggett

  • ORIGIN
    Gainesville, FL
  • GENRE
    R&B/Soul
  • BORN
    November 5, 1948

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