Music of the Hmong People of Laos
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||Qeej Kawm Ntawv - Gaeng School Song||Boua Xou Mua||9:39||$0.99||View In iTunes|
||Lug Txaj Sib Dleev - Courtship Song By Lee Mua - Love Song||Boua Xou Mua||9:48||$0.99||View In iTunes|
||Lug Txaj Ua Nyaab - Courtship Song By Boua Xou Mua - The Way of Becoming a Wife||Boua Xou Mua||6:57||$0.99||View In iTunes|
||Tsaaj Ntsaws - Dja Njer - Love Song (Fipple Flute)||Boua Xou Mua||2:03||$0.99||View In iTunes|
||Tsaaj Nplaim - Dja Mblai (Free Reed Flute)||Boua Xou Mua||1:11||$0.99||View In iTunes|
||Tsnuab Nplooj - Dzua Blaung (Leaf)||Boua Xou Mua||1:39||$0.99||View In iTunes|
||Ncaas Nja (Jew's Harp)||Boua Xou Mua||2:53||$0.99||View In iTunes|
||Zaaj Tshoob - Ceeb Toom Nam Txiv - Announcement to the Parents of the Groom||Boua Xou Mua||4:10||$0.99||View In iTunes|
||Zaaj Tshoob - Qeb Tsoog Tuam Ntsaa - Announcement to the Parents of the Bride||Boua Xou Mua||6:40||$0.99||View In iTunes|
||Qeej Nqug Rooj - Gaeng Evening Song: Pull the Table||Boua Xou Mua||7:18||$0.99||View In iTunes|
||Qeej Taag Mo - Gaeng Midnight Song||Boua Xou Mua||5:47||$0.99||View In iTunes|
||Tsaaj Ntsaws - Tsi Teb Tsaws Chaw - Refugee Song||Boua Xou Mua||1:38||$0.99||View In iTunes|
Boua Xou Mua is a refugee from Laos living in Portland. This recording was made in response to a performance that Mua put on at the Dallas Folk Festival of 1991, with funding from the National Endowment for the Arts. Mua performs various works of Hmong (native Laotians) culture and ritual, as well as small improvisations on a few traditional instruments. The first three works are New Year's songs, as well as courtship songs, as the Hmong encourage courtship at the time of the New Year when the harvest is in. The first song is actually performed by Mua's son Lee, though the rest of the album is provided by Boua. The four pieces after the New Year's section are small improvisations on flutes, a leaf, and a Jew's harp, which are all used in courtship serenading by the shy, who prefer to use instruments to mimic a song (Hmong language is tonal in nature) than to sing forthright. Following this are two wedding songs, one to the parents of the groom and one to the parents of the bride. Two funeral pieces are next, and one final work, by Mua from a genre of Hmong song that has appeared after the country's involvement in the Vietnam War — a "Song of the Refugee," where the singer bids farewell to his beloved Laos. The music is very important culturally and ethnographically, as the Hmong are some of the more ignored peoples hailing from Asia. The sounds may be a bit rough for Western ears however, in their simplicity and dissonant intervals.