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Miedo Escénico (Edición Especial)

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Album Review

Following two decades of international stardom as the lead singer of mainstream Latin rock band La Ley, Beto Cuevas forges ahead with a cutting-edge electro-rock style on Miedo Escénico, his solo album debut. Released three years after the breakup of La Ley, Miedo Escénico is a bold and deliberate effort by Cuevas to break new ground stylistically and refashion himself as cutting edge rather than middle of the road. Though La Ley was always a mainstream rock band through and through, the band did have an alternative streak and a tendency to go for edgy productions, especially on later albums such as Vértigo (1998), Uno (2000), and Libertad (2003). Vértigo in particular was La Ley's most daring effort to add industrial flourishes to their otherwise mainstream rock style, and while the effort didn't work out so well, triggering a backlash among fans at the time, the band struck a better balance between electronica and rock on Uno and Libertad, where the industrial flourishes were toned down and limited to background ambience. However, now that he's free of the band and the expectations that came along with being one of the biggest Latin rock bands in the world, Cuevas indulges his creative side on Miedo Escénico, on which he collaborated at length with not one but two producers: Steve Tushar, who was once a member of the trailblazing industrial metal band Fear Factory, and Aureo Baqueiro, one of the most reliable hitmakers in Latin pop and also one of the most fashionable circa 2008. While Tushar supplies the cutting-edge electro-rock musical touch and Baqueiro the hitmaking craftsmanship, Cuevas follows through with a batch of thoughtfully written songs that showcase his strengths as a vocalist and lyricist. Highlights include the impeccably produced singles "Vuelvo" and "Háblame," which mark the album's two extremes. "Vuelvo" is a pulsing electro-rocker with an explosive chorus, razor-sharp riffs, and an energetic tempo. In contrast, "Háblame" is a passionate ballad that begins plainly with gentle acoustic guitar and a hushed opening verse before unfolding skyward into a singalong chorus backed by a thick wall of production.

Customer Reviews

Una manera apropriada de sellar el final del disco.

Despues de haber tenido La Ley por tantos años muchos de sus seguidores anticipabamos el primer trabajo de Beto. Para mi algo nuevo que separaba a beto de La Ley, para otros una gran decepcion. Beto sigue con su letra poderosa que te llega al alma aunque la musica alla tomado un sonido mas pop. Anciosamente espero la llegagda de su segundo disco. Si te gusta juanes, la ley, soda estereo, moenia etc. te gustara el disco. Mis canciones favoritas, Mi unica verdad, el cinico, are you sorry y la historia que nunca vamos a contar. =) disfruten

Beto Cuevas Cd esta Buenisimo.

Wow que letras... y Beto Cuevas voz marabillosa como siempre. Me encanto este Cd.


Una canción que logra expresar con simplicidad el sentimiento de una situación de pareja a la distancia. Es un knock-out.

El resto del álbum de calidad excelente y de buen gusto. ¡Kudos para Beto Cuevas y su equipo!


Born: September 12, 1967 in Santiago, Chile

Genre: Latin Alternative & Rock

Years Active: '00s

Beto Cuevas, well known for his 17-year tenure as the frontman of the Grammy-winning Latin alternative rock band La Ley, embarked on a solo career after the band's breakup in 2005 and released his debut album, Miedo Escénico, in 2008. Born Luis Alberto Cuevas Olmedo on September 12, 1967, in Santiago, Chile, he grew up in Montreal, Canada, where his family fled during the reign of Augusto Pinochet. In the late '80s Cuevas returned to Chile and joined the lineup of La Ley, which was in the midst of...
Full Bio
Miedo Escénico (Edición Especial), Beto Cuevas
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Customer Ratings