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Turn On the Bright Lights (Tenth Anniversary Edition)

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iTunes Review

So influential as to have become almost invisible in the intervening years, 2002’s Turn on the Bright Lights practically minted American stadium indie rock. Interpol’s concrete-grey post-punk at first feels dominated by Paul Banks’ hectoring baritone, but shafts of light continually cut through. The stately “NYC” prefigures The National’s introspective triumphs, the hard-charging “PDA” is a seed for The Killers and Arcade Fire to water, and “Untitled” is the song that dozens of would-be U2s are still trying to write.

Customer Reviews

After 10 Years, Still Definative!

This album is and will always be the best Interpol album. I love this band and I always find myself going back to this constantly!!


One of the most underrated albums ever of this past decade

One of the best albums in the past decade

Oh, the ways I love this album. It has influenced my life, my own music, and my own interest in other bands. Why are you reading this? Live it!


Formed: 1998 in New York, NY

Genre: Alternative

Years Active: '90s, '00s, '10s

One of the leading post-punk revivalists of the 2000s and 2010s, Interpol took their cues from Joy Division and the Chameleons, fashioning a darkly atmospheric sound helmed by intricate guitars and Paul Banks' somber baritone. The group also had a striking visual presence marked by the members' fondness for suits, which only strengthened their stately, British-influenced appeal. Nevertheless, the band remained rooted in America, where guitarist Daniel Kessler and drummer Greg Drudy first struck up...
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