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Album Review

Initially limited to 100 copies on Boards of Canada's own Music70 label, 1995's Twoism EP set a high standard for future BoC output — though only the few willing to pay silly money for it were able to hear for themselves until Warp quietly reissued it on CD at the tail end of 2002. For those trying to compare it to the full-length debut (Music Has the Right to Children), it holds up surprisingly well (granted, two tracks here were only slightly reworked for later release). Excepting only the rigid drum monster "Basefree" (which sounds a bit like Aphex Twin circa 1992), Twoism features the same exquisitely spooky, textured emotronica that fans will want to hear, all at as high a level as the brilliant Music Has the Right to Children to boot.

Customer Reviews

FINALLY on Itunes!!!

This is an essential BOC album if you are even the slightest fan of the group. It is the predecessor of Music has the Right to Children, and you can hear a lot of it's early beginnings on this album. This album will dig into the stratosphere of your inner mind. Click "add album" now.

awesome.

very great i started out with this album an i gotta say the first time i heard sixtyniner i was almost crippled by the joy hahaha this music is amazazing..

Early BoC

Imagine the perfect soundtrack for looking out your igloo door at the Northern Lights deeply within the Artic Circle.

Biography

Formed: 1996 in Scotland

Genre: Electronic

Years Active: '90s, '00s

Boards of Canada are the duo of Michael Sandison (born June 1, 1970) and Marcus Eoin (born July 21, 1971). Based on the northern coast of Scotland, the group got its start on acclaimed experimental electronica label Skam in 1996 after recording an obscene number of tracks and pressing the best of them up as a miniscule-run 12", Twoism, an eight-track promo EP the group sent to labels in lieu of a demonstration tape. The pair's first official release appeared on Skam toward the middle of 1996, and...
Full Bio

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