On 1999's Big Train, Marsalis tries on the mantle of Duke Ellington in the latter's centennial year and finds that it suits him. A 52-minute big band suite modeled after Ellington's long-form essays, it purports to evoke the moods, sounds and feelings of a cross-country train trip with selections named after a train's various cars. Like an Ellington suite, the sections run together; after the striking "All Aboard," you're in Ellington country, right down to the plunger mute wah-wah riffs. "Union Pacific" paraphrases "Rockin' in Rhythm"; the ballad "Sleeper Car" evokes Johnny Hodges and Tricky Sam Nanton quite explicitly. Inevitably, there's a track called "Night Train"; thankfully, its bossa nova flavor has nothing to do with Duke's piece. Marsalis has mastered the Ellington idiom, writing and organizing the piece skillfully and getting the Lincoln Center Jazz Orchestra to play with precision and emotion. Yet the one thing that Ellington (and Billy Strayhorn) could do and Marsalis has yet to demonstrate is the ability to come up with a big, memorable tune; there's craft, emotion, and swing, but little else to take home with you. If you didn't know that this work was about trains, you might not guess it; you can't really feel the rocking, chugging, streamlined motion of the rails in this work. There is fine soloing all around in the hard bop tradition from Wessell Anderson, Victor Goines, Wycliffe Gordon, Ted Nash and Walter Blanding, Jr., though the liner fails to note which of the multiple tenor, alto, trombone players are soloing on which tracks. But overall, this is one of Marsalis' better extended form essays. ~ Richard S. Ginell, Rovi
Fantastic composing and an amazing band
I can't say enough about the tremendous imagination that went into creating this album. Buy this and set aside the time to listen to it in a quiet place. It will transport you to a great place - Wynton's mind. Listen to how he uses all the individual personalities in the band, like Duke. It's a great piece of art, so don't miss it.
Marsalis goes on the ChooChoo train.
I also love the Lincoln Jazz Orchestra besides Marsalis! Love the clarinets, flutes, saxes, piano, trumpets, drums...and whatever you say! I love almost the entire album especially Observation Car, Union Pacific Boy (Rock on!), Night Train (good Bossa Nova tinge on it.) and then the excitement on Engine (those drum solos are aawesome!).
Born: October 18, 1961 in New Orleans, LA
Years Active: '80s, '90s, '00s, '10s