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Album Review

If, God forbid, there were ever a need for a Christian equivalent of R. Kelly, the distinction would most certainly go to artist/producer J. Moss. Alongside his ubiquitous production troupe PAJAM, Moss is credited with creating some of the most self-referential gospel music of the 21st century, whether the man is handling churchy contemporary gospel or slick urban-pop confections. The proclivity toward name-dropping himself is augmented by the singer's insistence to multi-track his own vocals, creating a mini-chorale effect that's distinctively PAJAM, but too much of an acquired taste for the uninitiated. Regardless, all of the above seemed to work on The J. Moss Project, Moss' breakout debut as a solo singer, and if it wasn't broke, why fix it on V2..., his second go at it. Naturally, things are bigger and bolder, and the production values are through the roof. They have to be: like his work with Kierra KiKi Sheard and 21:03, Moss places tons of emphasis on style while shortchanging substance a bit, all in the name of accessibility. Such is the case with "Jump, Jump," "Dance," and "Miami," three songs with titles so obvious it's easy to figure out their content and their beats per minute; there are shout-outs to the Almighty, of course, but they're always incidental rather than indispensable to the tunes. Conversely, Moss fares much better when he waxes vulnerable, like in the soulful "Holding On" and the apologetic "I'm Not Perfect," both examples of his Kels-like arrangements and heartfelt crooning. Much like his previous hit, "We Must Praise," this slower material shows that, at the end of the day, Moss' musical heart lies with the church: he sounds best when singing to the choir, not when appealing to teenagers or aiming to dominate the urban inspirational airwaves through catchy yet otherwise lightweight spiritual jargon.

Customer Reviews

Better then the first

I felt that J Moss first album set the bar really high because that album was really good. And of course Pajam and all the great production they were doing made me wonder if he could put out a great 2nd album or would he just create an alright album without any new creativity. Well this album exceeded my expectations...and I had already heard quite a few songs from the album. I especially enjoyed Dance with Kirk Franklin, We love you remix, Afraid and Know Him. Congratulations J Moss, you and Pajam have done it only complaint would be that it took so long to be released but true perfection takes time and good things come to those who wait...


J has an anointing and the album is hot....well worth the wait. Love Praise on the Inside and The We Love U Remix....with my Pastor, Marvin L. Winans....


this guy's voice is unparelleled;hearing his voice it's nothing but God-given talent, he is lyrically awesome and has a powerful and unique voice. the beats are sick!!!


Born: December 25, 1971 in Detroit, MI

Genre: Christian & Gospel

Years Active: '90s, '00s, '10s

Born and raised in Detroit, Michigan, contemporary gospel singer and producer J. Moss is part of a very talented family of gospel musicians, including his father, Bill (of Bill Moss & the Celestials), and his cousin, part of the group the Clark Sisters. Eventually, J. (or James) would start his own group, a duo with brother Bill called the Moss Brothers. Over the next few years, the Moss Brothers would record a pair of albums and tour regionally, but the call of further education lured James away...
Full Bio

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V2..., J Moss
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