12 Songs, 36 Minutes

EDITORS’ NOTES

Vacation is to Beauty and the Beat what The Clash’s Give ‘Em Enough Rope is to The Clash: a hastily-assembled album that attempts to recreate the impact of a smashing debut. Among Go-Go’s fans, Vacation has always been unfairly maligned as the ugly stepsister to the band’s breakthrough debut. Yet, beyond its diamond title track — with “Our Lips Are Sealed,” the band’s most immortal pop confection — Vacation matches its predecessor pound for pound, even if the punk roots that were still in evidence on Beauty and the Beat have been completely smoothed over. “He’s So Strange,” “We Don’t Get Along,” and “I Think It’s Me” continue the band’s talent for inscribing the confusion of teenage romance with candy melodies, while “It’s Everything but Partytime” and “World’s Away” give voice to a darker undercurrent lying behind the group’s cheery façade. Even though rifts in the group were starting to grow, “Beatnik Beach,” “Cool Jerk” and the Jane Wiedlin-led “Girl of 100 Lists” show that the Go-Go’s were still the snappiest, smartest band in the New Wave class.

EDITORS’ NOTES

Vacation is to Beauty and the Beat what The Clash’s Give ‘Em Enough Rope is to The Clash: a hastily-assembled album that attempts to recreate the impact of a smashing debut. Among Go-Go’s fans, Vacation has always been unfairly maligned as the ugly stepsister to the band’s breakthrough debut. Yet, beyond its diamond title track — with “Our Lips Are Sealed,” the band’s most immortal pop confection — Vacation matches its predecessor pound for pound, even if the punk roots that were still in evidence on Beauty and the Beat have been completely smoothed over. “He’s So Strange,” “We Don’t Get Along,” and “I Think It’s Me” continue the band’s talent for inscribing the confusion of teenage romance with candy melodies, while “It’s Everything but Partytime” and “World’s Away” give voice to a darker undercurrent lying behind the group’s cheery façade. Even though rifts in the group were starting to grow, “Beatnik Beach,” “Cool Jerk” and the Jane Wiedlin-led “Girl of 100 Lists” show that the Go-Go’s were still the snappiest, smartest band in the New Wave class.

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About The Go-Go's

The Go-Go's were the most popular all-female band to emerge from the punk/new wave explosion of the late '70s and early '80s, becoming one of the first commercially successful female groups that wasn't controlled by male producers or managers. While their hit singles -- "We Got the Beat," "Our Lips Are Sealed," "Vacation," "Head Over Heels" -- were bright, energetic new wave pop, the group was an integral part of the Californian punk scene. And they did play punk rock, even if many of their rougher edges were ironed out by the time they recorded their first album, 1981's Beauty and the Beat. Even as they became America's darlings, the Go-Go's lived the wild life of rockers, swallowing as many pills and taking as much cocaine as possible, trashing hotel rooms, and just generally being bad. More importantly, their earliest music -- now collected on Return to the Valley of the Go-Go's -- was raw and rocking; it may not have directly inspired the female alternative rockers and riot grrrls of the '90s, but it certainly foreshadowed it.

Originally formed in 1978 as the Misfits, the group featured Belinda Carlisle (vocals), Jane Wiedlin (guitar, vocals), Charlotte Caffey (lead guitar, keyboards), Margot Olaverra (bass), and Elissa Bello (drums). The band soon changed its name to the Go-Go's and began playing local parties and small clubs in California. In 1979, Gina Schock became the group's drummer. During that year, the band recorded a demo and supported the British ska revival group Madness in both Los Angeles and England. The Go-Go's spent half of 1980 touring England, earning a sizable following and releasing "We Got the Beat" on Stiff Records. An import copy of "We Got the Beat" became an underground club hit in the U.S., which meant the band was popular enough to sell out concerts, yet they had a difficult time landing a record contract.

At the end of 1980, bassist Olaverra became ill and had to stop performing; she was replaced by Kathy Valentine, a guitarist who had never played bass before. Early in 1981, the Go-Go's signed with IRS Records. Released in the summer of 1981, their debut album, Beauty and the Beat, became one of the surprise hits of the year, staying at number one for six weeks and selling over two million copies; "Our Lips Are Sealed" hit number 20 and a re-recorded version of "We Got the Beat" spent three weeks at number two.

The following year, the group released Vacation. Although it sold well -- the album made the Top Ten and it went gold, spawning the Top Ten hit single "Vacation" -- it failed to keep the momentum of the first record. During the next year the band was unable to perform as Caffey recovered from a broken wrist. In 1984, the Go-Go's returned with Talk Show, their most musically ambitious album. While it had two Top 40 hits -- the number 11 "Head Over Heels" and "Turn to You" -- it failed to even go gold. By the end of the year, Wiedlin had left the band, and the Go-Go's broke up in May of 1985.

Belinda Carlisle became the most successful solo artist to emerge from the group, scoring a string of mainstream pop singles in the late '80s, including the number one single "Heaven Is a Place on Earth." For a while, Charlotte Caffey was in Carlisle's backing group; she eventually formed the Graces, who released Perfect View in 1990. Jane Wiedlin recorded two solo albums and acted in a few films. Wiedlin also organized the group's brief 1990 reunion, where they performed at a benefit for People for the Ethical Treatment of Animals; they also recorded a version of "Cool Jerk" for their 1990 Greatest Hits album. The Go-Go's reunited once more in 1994, recording three new songs for the double-disc compilation Return of the Valley of the Go-Go's.

After recording new material, the group decided to continue as a full-time unit. In 2000, they appeared on VH1's Behind the Music series and released an accompanying best-of album, VH1 Behind the Music: Go-Go's Collection. God Bless the Go-Go's, the band's first studio album comprised entirely of new material, followed in 2001. ~ Stephen Thomas Erlewine

  • ORIGIN
    Los Angeles, CA
  • FORMED
    1978

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