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Bossanova

Pixies

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Album Review

When Bossanova arrived in 1990, it reflected the exhaustion the Pixies felt after Doolittle's enormous success: For the first time, the band seems to be running out of ideas. Tellingly, Kim Deal contributes no songs, having formed the Breeders to give her work an outlet; that summer, their debut Pod won a warmer response than Bossanova received. Arguably the Pixies' weakest album — though Francis has said it's his favorite — most of it finds the band in fine form. Gil Norton's spacious, reverb-heavy production makes the Pixies sound like a Martian bar band, which fits the cover of the Surftones' "Cecilia Ann" and the glorious, shimmering closer "Havalina" perfectly. On the theremin-driven "Velouria," science fiction imagery displaces Francis' penchant for fetishistic lyrics; next to the token kinky song "Down to the Well"'s tired sound, it's a refreshing change. The similarly cryptic "All Over the World" and alien abduction tale "The Happening" add to the sci-fi feel. Quirky pop songs like "Allison," a tribute to jazz cool-cat Mose Allison, and "Dig for Fire," Francis' self-professed Talking Heads homage, heighten Bossanova's playful, slightly off-kilter vibe, but rockers like "Hang Wire" and "Blown Away," fall flat. However, "Rock Music" is one of the group's most fiery outbursts, and "Is She Weird"'s chugging grind and sexy, funny lyrics make it a classic Pixies song. The band was so consistently amazing on their previous albums that when they released a slightly weaker one, critics and fans alike judged them too harshly. But on Bossanova's strongest moments, the Pixies explored their softer side and found different uses for their extreme dynamics. Like a straight-A student who suddenly receives a B+, Bossanova might have been a disappointment initially, but its (small) failings emphasize the strengths of the rest of the Pixies' work.

Customer Reviews

One CD That Changed Music As We Know It

When I was in college a friend of mine recommended the pixies (just before they broke up) and I picked up this cassette tape at a used record store. I popped it in the tape player on my drive home, and to be honest, I didn't care for it at first. I guess I just didn't get it. (This was at the height of hair-metal) It sat for a couple of months, and I gave it another try. This time something caught my attention. Not sure what, but it was enought to listen to it again. On the third listen I really started to get into it and by the fourth the way that I thought about music had completely changed, and would never be the same again. After that, my whole musical experience in life was separated in to pre-Pixies and post-Pixies. Of course subsequently I picked up everything there was to own by the pixies and have seen them twice, and Frank Black solo once. Personally, I think Bossonova is #2 behind Doolittle, but anything by the Pixies is incredible. If you are new to the Pixies, I think this is a great CD to start with. It's just a bit smoother around the edges than anything else by the Pixies. And if you are new to the Pixies, congratulations, the way you think about music is about to change!

Classic.

One of the best discs from the pop-surf-punk Pixies. All Over The World and Hang Wire are my two favorites off of this classic. Has a very sci-fi feel to it, the usual obscure referances pelted out, short catchy tunes. A good disc to play while driving in the winter under harsh road conditions.

Disappointment?

I would challenge any reviewer who thinks this album is "weaker" or a "disappointment" to write and record a better one. The sound of the recording is different than Doolittle or Surfer Rosa, but I personally like the sound of the distorted/chorused guitars. The space alien stuff has such a great perspective, also seeing that this album came out as a new generation of space alien lovers came out from the underground. One of the greatest albums of all time. Really!!!

Biography

Formed: 1986 in Boston, MA

Genre: Alternative

Years Active: '80s, '90s, '00s, '10s

Combining jagged, roaring guitars and stop-start dynamics with melodic pop hooks, intertwining male-female harmonies, and evocative, cryptic lyrics, the Pixies were one of the most influential American alternative rock bands of the late '80s. They weren't accomplished musicians — Black Francis wailed and bashed out chords while Joey Santiago's lead guitar squealed out spirals of noise. But the bandmembers were inventive, rabid rock fans who turned conventions inside out, melding punk and indie...
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