13 Songs

EDITORS’ NOTES

Kelley Stoltz is another great, unsung musician who once worked in a mailroom in New York City and found himself crisscrossing the country trying to find a place for his man-in-a-lo-fi-room pop music. His touring band performs on a couple of tracks here, but the focus is still firmly on the quirky singer-songwriter himself. Tunes such as “Rock & Roll With Me,” “Pinecone” and “I Remember, You Were Wild” recall the evergreen power-pop tunes of the late ‘70s, that were themselves influenced by the ‘60s world of Brian Wilson, John Lennon and Gene Clark. Big Boy Pete’s “Baby I Got News for You” rings out a like a pure mid-‘60s classic, with Pete Miller himself on guitar. “Little Girl” features plenty of odd garage-rock quirks with the guitars and bass tangling it up in reverb. “Love Let Me In Again” possesses a great innocence that hardly sounds like 2010. Stoltz is an efficient time-traveler, well aware of the charms of a bygone era.

EDITORS’ NOTES

Kelley Stoltz is another great, unsung musician who once worked in a mailroom in New York City and found himself crisscrossing the country trying to find a place for his man-in-a-lo-fi-room pop music. His touring band performs on a couple of tracks here, but the focus is still firmly on the quirky singer-songwriter himself. Tunes such as “Rock & Roll With Me,” “Pinecone” and “I Remember, You Were Wild” recall the evergreen power-pop tunes of the late ‘70s, that were themselves influenced by the ‘60s world of Brian Wilson, John Lennon and Gene Clark. Big Boy Pete’s “Baby I Got News for You” rings out a like a pure mid-‘60s classic, with Pete Miller himself on guitar. “Little Girl” features plenty of odd garage-rock quirks with the guitars and bass tangling it up in reverb. “Love Let Me In Again” possesses a great innocence that hardly sounds like 2010. Stoltz is an efficient time-traveler, well aware of the charms of a bygone era.

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About Kelley Stoltz

Singer/songwriter Kelley Stoltz grew up in the Detroit area, but eventually found his way to San Francisco after taking a detour to New York City, where he worked in the mailroom at Jeff Buckley's management company. Armed with a four-track recorder and a wealth of lo-fi pop songs, Stoltz began recording his own material, performing all the parts himself and drawing comparisons to artists like Brian Wilson and Captain Beefheart. Those songs caught the ear of Monte Vallier, who helped Stoltz clean up and sweeten the recordings for release as The Past Was Faster in 1999. After that, Stoltz upgraded to an eight-track and self-released Antique Glow in a limited quantity of 200 vinyl copies, each one housed in a different, originally designed sleeve by Stoltz himself. Antique Glow was then picked up by Jackpine Social Club for wider release in 2003, which both raised his profile and allowed him to quit his teaching job.

Stoltz found a more permanent home for his music in 2005, when he signed with Sub Pop and released the Sun Comes Through EP. A full-length album, Below the Branches, followed in March 2006. Stolz's band toured that summer as the opening act for the Raconteurs and returned to the studio in 2008 to record his lushest production yet, Circular Sounds. Two years later, he toured with Echo & the Bunnymen and released another layered pop album, To Dreamers, which featured his live band on two tracks. His affiliation with Sub Pop having run its course, Stoltz next spent time behind the scenes as a member of Sonny & the Sunsets and producing albums for the Mantles and Tim Cohen. He returned in 2013 with an album for Third Man called Double Exposure.

In 2015, Stoltz found a new sponsor in Castle Face Records, the label founded by John Dwyer of Thee Oh Sees. They released In Triangle Time, a set of songs that blended Stoltz's love of the music of the '60s and '80s, in early November 2015. That same year he collaborated with Sarah Bethe Nelson on her Fast Moving Clouds album. His next musical move came as a bit of a surprise to anyone who didn't know that Stoltz had recorded a song-by-song re-creation of Echo & the Bunnymen's Crocodiles album in 2001 or that he once had an Echo cover band with Spiral Stairs called Crockodials. In 2016, he joined the Bunnymen as a touring guitarist, playing the songs he grew up loving. That '80s influence became even more evident on Stoltz's next album for Castle Face, 2017's Que Aura. ~ Sean Westergaard

  • ORIGIN
    Michigan
  • BORN
    1971

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