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Adriana Maciel

Adriana Maciel

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Album Review

A promising singer in her debut album. Adriana Maciel opted for a sensitive approach, instead of the standardized arrangements that top the hit parades, helped by the expert production of Celso Fonseca. Delicate arrangements include berimbau, mandolin, acoustic bass, harmonica, and percussion, but they open enough room for a definitely pop/world sonority. The choice of repertory was also very good, with songs by Zeca Baleiro ("Bandeira"), José Miguel Wisnik (the lyrical "Laser," which had a piano as the sole backing instrument), Arnaldo Antunes (the strongly Indian-influenced pentatonic "Eva e Eu"), Zé Ramalho (the hit "Vila do Sossego"), and others. "Melancia" is a delicate folkloric melody, interpreted in an a cappella rendition. "Lua Firou" is another jewel from folklore, an unusually beautiful melody. Beautiful album, rich in details for focused listening, in which sensibility coexists with a vibrant energy.


Genre: MPB

Years Active: '90s

Having studied music (flute/voice) at the State University of Brasília (Federal District), Adriana Maciel moved to Rio de Janeiro in the mid-'80s, where she worked in several musicals by Oswaldo Montenegro, such as Os Menestréis (as a backing vocalist and in production and lighting) and Aldeia dos Ventos (as a musician and backing vocalist). In 1995, Maciel was invited by Moacyr Góes to co-write (with Sacha Amback) and perform in his play Abelardo e Heloísa. In 1997, Maciel started to do individual...
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Adriana Maciel, Adriana Maciel
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