Opening the iTunes Store.If iTunes doesn't open, click the iTunes application icon in your Dock or on your Windows desktop.Progress Indicator
Opening the iBooks Store.If iBooks doesn't open, click the iBooks app in your Dock.Progress Indicator

iTunes is the world's easiest way to organize and add to your digital media collection.

We are unable to find iTunes on your computer. To preview and buy music from Vincebus Eruptum by Blue Cheer, download iTunes now.

Already have iTunes? Click I Have iTunes to open it now.

I Have iTunes Free Download
iTunes for Mac + PC

Vincebus Eruptum

Open iTunes to preview, buy, and download music.

iTunes Review

Credited with both inspiring the term “power trio” and inventing heavy metal, Blue Cheer’s debut album, Vincebus Eruptum, was titled after a Latin phrase meaning “controlled chaos.” Released in 1968, this album rocked harder and louder than most everything that preceded it and influenced much of the hard rock that followed it. And with its opening psychedelic slaughter of Eddie Cochran’s “Summertime Blues” (which became a top 20 hit), Blue Cheer shared a dark side to San Francisco's music scene that catered more to bikers than hippies. “Doctor Please” better exemplifies the band’s uncanny chemistry—guitarist Leigh Stephens made good use of the 11 setting on his Marshall amps, with a towering, distorted fuzz that fit perfectly alongside bassist/frontman Dickie Peterson’s soulfully wailed rasp. But it was the hamfisted bludgeoning of drummer Paul Whaley that gave the band its thundering presence. Blue Cheer turned the piano jazz of Mose Allison’s “Parchman Farm” into a sonic mushroom cloud while retaining the song’s bluesy roots. “Second Time Around” blasts a bad-trip acid-rock attack that comes dangerously close to derailing the song’s performance.

Customer Reviews

Fantastic Hard Rock Record

This is essential for anyone seriously interested in metal or hard rock - It's almost unbelieveable there was a group this hard and distorted back in 1968. Unlike Hendrix whose guitar distortions were all about virtuousity, Blue Cheer distort the blues and rock 'n' roll just to hear the glorious, sludgy racket they can make. "Summertime Blues" alternates between melody and pure noise, and is probably the most exciting cover version I've ever heard. Get that song at the very least.

Blue Cheer

Ya shoulda seen them live-- at the Shrine-- the drum solos went on forever-- maximum amprage a wall of amp's we'd never seen-- 'cept for Pink Floyd maybe-- but I don't think I'd seen them yet and distortion was the rule of the day---- and add 10 minutes to each of the songs-- this was the first biker band to really cross over-- I mean these guys were scary...

Too Cool for School

This album must be played at ear-splitting decibels. This is nail your equipment to the stage music. Raw and unapologetic. Just three guys playing as hard as they can.


Formed: 1967 in San Francisco, CA

Genre: Rock

Years Active: '60s, '70s, '80s, '90s, '00s, '10s

San Francisco-based Blue Cheer was what, in the late '60s, they used to call a "power trio": Dickie Peterson (b. 1948, Grand Forks, ND) (bass, vocals), Paul Whaley (drums), and Leigh Stephens (guitar). They played what later was called heavy metal, and when they debuted in January 1968 with the album Vincebus Eruptum and a Top 40 cover of Eddie Cochran's hit "Summertime Blues," they sounded louder and more extreme than anything that had come before them. As it turned out, they were a precursor of...
Full Bio