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Mixxxes of the Molé

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iTunes Review

With 2010’s Mixxxes Of The Molé, Ministry’s 2004 album Houses of the Molé gets the remix treatment. The original incarnation of their ninth studio album was conceptualized to protest the George W. Bush administration and the Gulf War — and while that sentiment still runs hot in this Obama-era remixed offering, it’s remixxxer Erie Loch’s innovative edits that take center stage. Houses of the Molé returned to the feral hardcore fury last heard on 1989’s The Mind Is a Terrible Thing to Taste, and Mixxxes of the Molé keeps all the sharpened speed-metal leads and rapid-fire rhythms intact while infusing a brutal onslaught of beats that are more conducive to the dance floor. “No W (Adrenalenema Mix)” unleashes punchy beats and apocalyptic sirens that worm their way around the original foundation before hoisting it off the ground and into the stratosphere. Loch beefs up the bass on “Worthless (Get to da Choppa Mix)” while nudging the guitar’s attack to the front, making for a steroidal revamp. New song “Bloodlines” harkens back to vintage industrial of the early ‘90s.

Customer Reviews

Bitter sweet!!

Uncle AL and company have given us their farewell but if this was done to every Ministry album I'd buy them all again. Thank you ministry for not dropping us like a bad addiction to detox cold turkey in a world of horrible music!!!

Im surprised

Considering the album they picked to remix its really good. If you are a MINISTRY fan this is a must. Cant wait to see what other albums they are going to do.

i feel a little let down

this remix album isn't a good start for ministry newbies. i'm a long time fan, have the entire ministry catalog, and i do hope he remixes all of his albums, but aside from the 'no w' track this seemed kinda boring, not as good as the last dubber. i'll stick with the amazing original houses of the mole, thx

Biography

Formed: 1981 in Chicago, IL

Genre: Rock

Years Active: '80s, '90s, '00s, '10s

Until Nine Inch Nails crossed over to the mainstream, Ministry did more than any other band to popularize industrial dance music, injecting large doses of punky, over-the-top aggression and roaring heavy metal guitar riffs that helped their music find favor with metal and alternative audiences outside of industrial's cult fan base. That's not to say Ministry had a commercial or generally accessible sound: they were unremittingly intense, abrasive, pounding, and repetitive, and not always guitar-oriented...
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