11 Songs, 47 Minutes

EDITORS’ NOTES

When they go low, Barbra Streisand goes to her songwriting room. The political climate fostered by the 45th President of the United States inspired seven of the 11 songs here, Streisand's first set of originals since 2005. The triumphant call-to-arms “The Rain Will Fall” takes on the spin cycle fueled by the White House (“Facts are fake/And friends are foes/And how the story ends, nobody knows”). “What’s On My Mind” and “Walls” find Barbra lost in worry, searching for answers in that singular bloodied-but-unbowed voice. Despite her state of mind, she sounds peerless and ageless, elegant and delicate as fine silk. Go ahead and tack “Take Care of This House” onto her all-time great vocal performances, while “Don’t Lie to Me” beats with an EDM spine, ripping the clothes off the back of a "fictional" emperor: “You can build towers of bronze and gold/You can paint castles in the sky/You can use smoke and mirrors, old clichés/Not today, not today.”

She also resurrects classic protest anthems on Walls. The Burt Bacharach/Hal David chestnut “What the World Needs Now” gets a “hip” replacement with guests Michael McDonald and Babyface. John Lennon’s “Imagine” and Louis Armstrong’s “What a Wonderful World” are combined into a joyous medley (the coda “Just...imagine” could be interpreted as either pained or hopeful, depending on your mood). The album’s last song, “Happy Days Are Here Again,” reprises her first commercial single, from 1962, when she performed it ironically as a millionaire who lost it all.

EDITORS’ NOTES

When they go low, Barbra Streisand goes to her songwriting room. The political climate fostered by the 45th President of the United States inspired seven of the 11 songs here, Streisand's first set of originals since 2005. The triumphant call-to-arms “The Rain Will Fall” takes on the spin cycle fueled by the White House (“Facts are fake/And friends are foes/And how the story ends, nobody knows”). “What’s On My Mind” and “Walls” find Barbra lost in worry, searching for answers in that singular bloodied-but-unbowed voice. Despite her state of mind, she sounds peerless and ageless, elegant and delicate as fine silk. Go ahead and tack “Take Care of This House” onto her all-time great vocal performances, while “Don’t Lie to Me” beats with an EDM spine, ripping the clothes off the back of a "fictional" emperor: “You can build towers of bronze and gold/You can paint castles in the sky/You can use smoke and mirrors, old clichés/Not today, not today.”

She also resurrects classic protest anthems on Walls. The Burt Bacharach/Hal David chestnut “What the World Needs Now” gets a “hip” replacement with guests Michael McDonald and Babyface. John Lennon’s “Imagine” and Louis Armstrong’s “What a Wonderful World” are combined into a joyous medley (the coda “Just...imagine” could be interpreted as either pained or hopeful, depending on your mood). The album’s last song, “Happy Days Are Here Again,” reprises her first commercial single, from 1962, when she performed it ironically as a millionaire who lost it all.

TITLE TIME

Ratings and Reviews

3.4 out of 5
660 Ratings
660 Ratings
ListenUp (~)\(~)

Peace, Love & Understanding

Note; all reviews here are based on two pre-released songs, 1. Don't Lie To Me & 2. Imagine/Wonderful World. There are about fifteen, maybe twenty one star ratings with anti-free speech reviews skewing the should be five star ratingfor 'the soon to be released full album, Walls. I love what I'm hearing. Imagine is my theme song. Wonderful World was Louis song as a racist world spun around & bit him from his own people (Ken Burns - Jazz, reference). Barbara didn't just wake up & decide to be political here, yougsters who don't vote - but love to complain. Barbara's been an active participant in our nation's democracy speaking out, contributing & working towards a free Republic all her life. Naturally an album like Walls would be her passion of compassion & so well done.... After all, those who choose to build walls & isolate at a time of technology being cyber-spacing in global ways... well not only are those fools hypocrites, they're just irrational. But hey(!) it's better to know who they are, then to have them creeping around holding it all in waiting to go bizerk! Thank you Barbara for staying as incredible as you are. We love your first two releases. I'm going to use Imagine/Wonderful World in my ThanksGiving, Christmas & New Years Playlists. & We just got of Ballaots. We'll be Remembering in November in October. It's time to BOOT some Nazi Mentalities out of Office. & yes, I did say that. So tired of the 'so-called' 'Right" Whites infringing on our First Amendment while misinterpreting the 2nd & using God's name in Vain to Terrorize anythingh that isn't White Privalaged & doesn't agree with their mistaken Beliefs. Tear Down These Walls! Sing Out! When Fake is Real & Bigotry is a Bully Cowards way of jeopardizing our Constitution.... Screaming JUST VOTE! & Listen to some Barbara. The balance of life..... & if you rerad all of that - ok, it's more a Rant against the one star reviews, then a review of Barbara's new two song pre-release... But I 'didn't Lie to you... Nope, I Imagined a Wonderful World... minus hatred, greed & rapist who still like beer. Enjoy

Southstar69

Right Wing is Wrong, As Usual

Great song! Artists have been sharing their political views in song since the 60s! Don’t listen if you don’t want to listen. I enjoyed the song and look forward to the rest of the album.

BobbyinPetersburg

Simply incredible

“Don’t Lie To Me” is amazing. I love her message and her intended target will get his one day. The orange man in the White House will soon get a big dose of karma.

About Barbra Streisand

Barbra Streisand's status as one of the most successful singers of her generation was remarkable not only because her popularity was achieved in the face of a dominant musical trend -- rock & roll -- which she did not follow, but also because she used her vocal skills as a mere stepping stone to other careers, as a stage and film actress and as a film director. Born in 1942 and raised in Brooklyn, New York, she struggled briefly as an actress and nightclub singer in New York during the early '60s before landing her first part in a Broadway show, I Can Get It for You Wholesale, in 1962. The cast album for that show, as well as a subsequent appearance on a studio revival of Pins and Needles, were her first recordings. Signed to Columbia Records, she released her first album, The Barbra Streisand Album, in 1963. It became a Top Ten, gold-selling record, thus paving the way for Streisand's status as one of the best-selling recording artists of the early '60s.

But despite three successful albums by early 1964, Streisand turned her back on potentially lucrative concert bookings in favor of a starring role in the Broadway show Funny Girl, in which she appeared for more than two years. "People" from that show became her first Top Ten single, and the People album her first chart-topping LP. She turned to television in 1965 with My Name Is Barbra, the first of five network specials. In 1967, Streisand went to Hollywood to film Funny Girl, for which she would win an Academy Award. But by 1970, with her second and third films flops and her recording career flagging in the face of rock, she seemed consigned to Las Vegas before turning 30. Instead, she returned to hitmaking with a Top Ten cover of Laura Nyro's "Stoney End" and a successful non-singing performance in the comedy The Owl and the Pussycat.

In the '70s, Streisand successfully married her musical and film acting interests, first in The Way We Were, a hit film with a theme song that became her first number one single, and then with A Star Is Born, which featured her second number one single, "Evergreen," a song she co-wrote. From that point on, every album she released sold at least a million copies. In the late '70s, she found recording success in collaboration: her duet with Neil Diamond, "You Don't Bring Me Flowers," hit number one, as did "No More Tears (Enough Is Enough)," a dance record sung with Donna Summer. She had her biggest-selling album in 1980 with Guilty, which was written and produced by Barry Gibb of the Bee Gees and contained the number one hit "Woman in Love." In 1983, Streisand's first directorial effort, Yentl, became a successful film with a Top Ten soundtrack album. In 1985, The Broadway Album returned her to the top of the charts. The year 1991 saw the release of Just for the Record..., a box set retrospective, and her second film as a director, The Prince of Tides. Streisand returned to the concert stage in 1994, resulting in the Top Ten, million-selling album The Concert. In 1996, she directed her third film, The Mirror Has Two Faces, and in 1999 she released A Love Like Ours.

Timeless: Live in Concert, which was recorded at her Las Vegas show on New Year's Eve 1999, was released on both CD and DVD in 2000. A year later, the new holiday album Christmas Memories arrived, followed in 2003 by a sequel to The Broadway Album entitled The Movie Album. A deluxe CD/DVD reissue of the original Guilty appeared in 2005 and was followed a month later by Guilty Pleasures, a new album that reunited Streisand with Gibb. She returned to the concert stage in 2006, a move that was documented in the 2007 Sony release Live in Concert. For her final release of the decade, Streisand turned her attention to jazz standards, and Love Is the Answer found her singing such songs as "Here's to Life" and "In the Wee Small Hours." Released in 2011, What Matters Most: Barbra Streisand Sings the Lyrics of Alan and Marilyn Bergman, featured ten Bergman tracks that the singer had never tackled, including "The Windmills of Your Mind" and "So Many Stars."

In 2012, a collection of previously unreleased material came to light, featuring tracks collated from hundreds of hours of '60s acetates and 48-track tapes by Streisand and co-producer Jay Landers. Titled Release Me, the compilation includes recordings from 1967-2011 that provide a wonderful representation of her varied career. Streisand toured heavily in support of the release. One of the biggest dates on the tour was her first-ever show on her home turf, at the Barclays Center in Brooklyn, which featured guest appearances from trumpeter Chris Botti and poperatic trio Il Volo. The show was recorded, and released in 2013 as the double live album Back to Brooklyn.

In 2014, Streisand returned with the Kenneth "Babyface" Edmonds-produced duets album Partners, featuring such guest artists as Michael Bublé, Andrea Bocelli, Lionel Richie, and John Mayer. Two years later, she followed up with Encore: Movie Partners Sing Broadway, which found her duetting on classic Broadway musical numbers alongside Alec Baldwin, Anne Hathaway, Hugh Jackman, and others. Both releases topped the Billboard 200. Streisand launched a concert tour in support of the Encore: Movie Partners Sing Broadway release, with the star performing 16 shows in 14 cities between August 2016 and May 2017. Streisand's December 5, 2016 performance in Miami was documented on both audio and video; an album, The Music... The Mem'ries... The Magic!, was released in December 2017, while an accompanying concert video debuted on Netflix on November 22, 2017. ~ William Ruhlmann

HOMETOWN
New York, NY [Brooklyn]
GENRE
Vocal
BORN
April 24, 1942

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