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The New Bossa Nova

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Album Review

For her sixth recording and first on a major label (Verve), Luciana Souza's concept of "new bossa nova" is melding Brazilian rhythms onto adult contemporary folk-pop MOR songs. She sings lyrics exclusively in English. The stamp of Joni Mitchell, aided and abetted by producer Larry Klein, makes this image unmistakable immediately from the first tune, Joni's "Down to You." Souza sounds exactly like Mitchell in her melancholic phrasing during "Were You Blind That Day" and "You and the Girl." She is more herself on the closer, the straight Brazilian classic by Jobim "Waters of March," the Sting-penned minimalistic romantic pleader "When We Dance," and the lone non-Latin silken-tinged "Satellite." High-level musicianship from the pristine, crystalline tones of pianist Edward Simon, restrained guitarist Romero Lubambo, and occasional saxophonist Chris Potter raises the quality a hundredfold. The tunes range from slow to midtempo; overall, this is a sultry program of romantic ballads and softly toned introspective tracks. Source material comes from the aforementioned authors and lesser-known compositions from Leonard Cohen, Steely Dan's Walter Becker and Donald Fagen, Becker with Klein, Randy Newman, Michael McDonald, and Brian Wilson. Perhaps the selection that will draw most attention is James Taylor's "Never Die Young," with Souza and Taylor singing separate lines and in unison during the latter part of the piece. After having tackled poems of Elizabeth Bishop and Pablo Neruda, along with the Brazilian music of her homeland, this recording marks a change for Souza. It is similar to Herbie Hancock's Gershwin's World in a belief that established music needs to be either modified or updated. Souza's voice is nearly perfect, thoughtful, sweet, and beautiful, and that alone should win her new fans. Whether previous devotees can be sold by this new direction is something only time will tell. ~ Michael G. Nastos, Rovi

Customer Reviews

mood music? fine...

but this is a disappointment compared to Duos or the Neruda material. Soft, overproduced (to say the least), safe. Hopefully this makes enough money at Starbucks to keep Verve happy and let Luciana do something more worthy of her abilities. James Taylor and Larry Klein may equal "bossa" to someone, but not to me. Buy her earlier stuff instead.

Luciana is smooth like velvet

Enjoy Luciana's velvety and hypnotic voice with a glass of sweet red wine. Perfect mood music for decompressing after a long day. Love her cover of "God Only Knows."

Beautifully done

Luciana sings like an angel on this one. Great song choices including a cover of Steely Dan's "Third World Man" which was originally recorded as "Were You Blind that Day". The band treats the songs just right, never over playing and complimenting every song. The album was recorded beautifully too. Everything about this album is terrific.

Biography

Born: June 14, 1966 in Sao Paulo, Brazil

Genre: Jazz

Years Active: '00s, '10s

Luciana Souza's first solo album was An Answer to Your Silence (NYC Records, 1999). The Poems of Elizabeth Bishop and Other Songs (Sunnyside Records, 2000) was fifth place in The New York Times' 2000 The Year in Pop and Jazz: The Critics' Choice list. In 1991, she was elected Discovery of the Year by APCA for her work with Hermeto Pascoal. In the next year, she toured with the Zimbo Trio. In 1995, she was nominated for Outstanding Latin Act and, in the next year, Outstanding Jazz Vocalist at the...
Full Bio
The New Bossa Nova, Luciana Souza
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