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Tuesday Night Music Club (Deluxe Edition)

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iTunes Review

Sheryl Crow’s 1993 debut album sparked five GRAMMY nominations and three awards, including Best New Artist. After shelving her previous recordings for being too slick (not included here), Crow, with producer Bill Bottrell, put together this intimate, small-room rock collection that included everything from the perfect country-pop of “All I Wanna Do” and the desperate call of “Leaving Las Vegas” to the acoustic ballad “Strong Enough.” This Deluxe Edition includes four previously unreleased 1995 tunes that were recorded for Crow’s follow-up, three U.K. b-sides, her cover of Led Zeppelin’s “D’yer Mak’er,” “On the Outside,” a dark, dry ballad that appeared on The X-Files soundtrack, a 2009 remix by Bottrell of “I Shall Believe” and (live for Virgin Radio) “All I Wanna Do.” Eric Carmen’s “All By Myself” is given extra muscle from its soft-rock roots. The additional material truly expands the original album. “Coffee Shop” settles into a bucolic folk-country vibe. “Killer Life” has the electricity of the city coursing through its veins.

Customer Reviews

The genus of Kevin Gilbert

The genus of Kevin Gilbert and the Tuesday Music Club lives on!


If you enjoyed the Original "Tuesday Night...", and the songstress herself, you will LOVE this deluxe edition!!! The 2009 remix of "I Shall Believe" is something I personally have been waiting on for a few years! Great faster tempo than original.
Grab it!!! This LP will go down in the pop music history!!!

Great album gets even greater

This has to be one of my favorite albums of all time and one of the best to come out of the '90s, if not ever. Sheryl is truly a wonder and this Deluxe version is exceptional with the extra content it delivers. A true testament to her legacy!


Born: February 11, 1962 in Kennett, MO

Genre: Pop

Years Active: '90s, '00s, '10s

Sheryl Crow's fresh, updated spin on classic roots rock made her one of the most popular mainstream rockers of the '90s. Her albums were loose and eclectic on the surface, yet were generally tied together by polished, professional songcraft. Crow's sunny, good-time rockers and world-weary ballads were radio staples for much of the '90s, and she was a perennial favorite at Grammy time. Although her songwriting style was firmly anchored to the rock tradition, she wasn't a slave to it -- her free-associative,...
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