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Meet The Supremes (Expanded Edition)

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Album Review

The romantic and sentimental "Your Heart Belongs to Me," written by Smokey Robinson, should have been the Supremes' first hit. It's every bit as charming as his chartbusters for Mary Wells. Diana Ross' sweet tender lead, assisted by Mary Wilson and Florence Ballard's warm harmonies, could melt icebergs. Ross' vocals on "Who's Lovin' You" are intense and bluesy; Wilson leads the soulful "Baby Don't Go"; and Ballard leads the raucous "Buttered Popcorn," a tune more suited for the Contours. "I Want a Guy," their first recording, had been done by the Marvelettes — the backing voices are buried, and Ross' voice sounds whiny and high-pitched. This song, along with the '50s-sounding "He's Seventeen," are the only bummers. Ballard shines again on "Let Me Go the Right Way," delivering a tough vocal on top of Ross and Wilson's enthusiastic vocals. "Time Changes Things," written by Brian Holland, Lamont Dozier, and Janie Bradford, was a forerunner to later efforts by Holland-Dozier-Holland. Blues lovers will relish the torching "Play a Sad Song." "Never Again" is straight '50s doo wop; if you didn't know, you would think it was the Chantels.

Customer Reviews

Meet The Supremes

Beautiful harmonies. Everybody is treated equal. You can actually hear and feel the humble beginnings. All girls sing in one or other song. Brings back lots of memories. SUPREME fans, this is a must you will love it!!!!!! Brings back loads of memories as i was 13 when this was originally released today i am 60. Thanks i tunes for this please give us more music videos on this "Sweethearts of America".


Formed: 1961 in Detroit, MI

Genre: R&B/Soul

Years Active: '50s, '60s, '70s

The most successful American performers of the 1960s, the Supremes for a time rivaled even the Beatles in terms of red-hot commercial appeal, reeling off five number one singles in a row at one point. Critical revisionism has tended to undervalue the Supremes' accomplishments, categorizing their work as more lightweight than the best soul stars (or even the best Motown stars), and viewing them as a tool for Berry Gordy's crossover aspirations. There's no question that there was about as much pop...
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