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The Future Crayon

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Album Review

Collecting most of Broadcast's EP tracks, B-sides, and rarities from The Noise Made by People and Haha Sound eras, Future Crayon is a welcome reminder of how consistently interesting the band's output is. Indeed, the band's other EP collection, Work and Non-Work, flowed just as well, if not better, than many other groups' full-length albums. Future Crayon isn't quite that cohesive, but it does chart how Broadcast's sound developed during that time, and also includes some tracks that even die-hard fans might have missed the first time around. The collection begins with a string of relatively poppy songs that rival the quality of anything that appeared on either The Noise Made by People or Haha Sound. Extended Play Two's "Illumination" is particularly gorgeous, opening with an insistent bassline and Trish Keenan's coolly lovely voice before achieving lift-off with clouds of backing vocals and art-damaged synths. Meanwhile, "Still Feels Like Tears" from the Pendulum EP takes the title track's stripped-down psych-rock in a lighter, sweeter direction, while Extended Play's "Where Youth and Laughter Go" begins as a clockwork lullaby and then swells into quintessentially Broadcast-like sci-fi lounge-pop. Future Crayon then delves into the more experimental side of the band's music, which usually only appears as brief interludes on their albums. 1998's "Hammer Without a Master," which originally appeared on the Warp comp We Are Reasonable People and is one of this collection's rarest tracks, is an especially striking collage of horror-show organs and death-surf guitars grounded by jazzy drumming; along with "Daves Dream," it sounds like a more elegant version of the sound Add N to (X) was pursuing at the time. The aptly-named "Chord Simple" is a lovely, oddly affecting instrumental that appears twice here, both on its own and as a part of a harder-edged version of "Unchanging Window." While the decision to put most of the more accessible tracks on the first half of the disc is understandable, it doesn't always make for the easiest listening — sometimes, it feels easy to get lost in the more abstract moments later on in the collection. Nevertheless, Future Crayon is a must for Broadcast obsessives and a good way for casual fans to explore some of the rougher edges of their music.

Customer Reviews

the future sound

For those unaware, this album isn't new work from Broadcast but rather a collection of rarities and songs from the single/extended play albums similar to Stereolab's 'Oscillons from the Anti-Sun.'

Amazing Rarities Compilation With A Little Something Extra

For those that are unaware, the cd and vinyl versions of this record only contain 18 tracks. BUT, when you buy it on i-tunes, there are two extra tracks not available on the cd or vinyl versions. The tracks are "Stupido" and "Misc." Both tracks are fantastic and ultra rare. Broadcast fans rejoice!!!

Brilliant Psch-Pop Near Masterpiece!

Deeply influenced by The United States of America's classic debut, this brilliant contemporay avant pscyh-pop near masterpiece is possibly one of the best albums in this genre. It lacks only a "Good Vibrations" or a "Strawberry Fields Forever" to make it a timelss classic. It is experimental and listenable at the same time. No mean feat! I listen to this like I listen to Dungen - when I want to hear a brilliant, happy new psych band with experimental leanings and great songs this is where I go to FEEL REAL GOOD.


Formed: 1995 in Birmingham, England

Genre: Alternative

Years Active: '90s, '00s

Space age pop collagists Broadcast formed in Birmingham, England, in 1995; comprised of vocalist Trish Keenan, guitarist Tim Felton, bassist James Cargill, keyboardist Roj Stevens, and drummer Steve Perkins, the quintet came together out of a shared affection for the psychedelic cult band the United States of America, a primary influence on their subsequent work as a group. Debuting in 1996 with the Wurlitzer Jukebox label single "Accidentals," Broadcast immediately won favorable comparisons to Stereolab...
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