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2nd Honeymoon

Deaf School

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Album Review

For what is basically art rock delivered with a great sense of tongue in cheek, 2nd Honeymoon is actually a very listenable double-album. Covering everything from Johnny Mercer balladry ("Cocktails at Eight") to off-kilter pop ("Where's the Weekend"), the album's 22 songs span nearly every style of music without sounding forced or trite. Even more astonishing is the amount of great melody lines buried within the album's four sides. Muff Winwood's adept production is also able to keep what is a multitude of instruments (recorder, piano, accordion, guitar, banjo, etc.) from cluttering the arrangements.

Customer Reviews

What a great fun album

I love this record. Nearly every song drips wit and interesting instrumentation. A funky mixture of schmaltz and rock, there's always something fascinating. I just wish they had done more albums.

Delightful.

A mixture of smart humor, quirky musicianship and crisp production.

Biography

Genre: Rock

Years Active: '70s

The Liverpool, England art rock band Deaf School turned to the Tin Pan Alley sound, not punk, as an alternative to the commercial music of the ‘70s. Formed in 1976 by Steve Allen (vocals), Bette Bright (vocals), Clive Langer (guitar, piano), Max Ripple (keyboards, accordion), Steve Lindsey (bass, piano, vocals), Timothy Whittaker (drums), Ian Ritchie (sax), Eric Shark (vocals), and Paul Pilnick (guitar, accordion, bass, banjo). Deaf School made their debut with a double album, 2nd Honeymoon. Influenced...
Full Bio
2nd Honeymoon, Deaf School
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Contemporaries