12 Songs, 50 Minutes

EDITORS’ NOTES

In the same vein as modern genre-defying efforts by Robert Glasper Experiment or Kris Bowers (who's also keyboardist in this band), While You Were Sleeping sounds more like a thoughtfully assembled mixtape. Some material sounds like it was hatched by Radiohead (“Anywhere U Go”) or Jimi Hendrix (“Angel”) thanks to the guitar work of Brad Allen Williams. More mechanized but just as visceral is the haunting “Every Little Thing,” which offers the album's strongest hook. Less surprising but no less inspired is the tinge of postmodern R&B—think André 3000 or Frank Ocean, as well as Zero 7—on tunes like “Bodhisattva,” “XX,” and “Without U.” Pushing in a different direction, the acoustic guitar–driven “4 Noble Truths” comes with a violin and cello break, and jazzy singer/songwriter Becca Stevens duets with James on “Dragon” to cast a subdued spell. A soulful take on Al Green’s “Simply Beautiful” closes things out in style, with additional points in Takuya Kuroda’s bluesy trumpet solo. Even so, it hangs together on the strength of James' wispy baritone, making for a remarkable eye-opening musical experience.

EDITORS’ NOTES

In the same vein as modern genre-defying efforts by Robert Glasper Experiment or Kris Bowers (who's also keyboardist in this band), While You Were Sleeping sounds more like a thoughtfully assembled mixtape. Some material sounds like it was hatched by Radiohead (“Anywhere U Go”) or Jimi Hendrix (“Angel”) thanks to the guitar work of Brad Allen Williams. More mechanized but just as visceral is the haunting “Every Little Thing,” which offers the album's strongest hook. Less surprising but no less inspired is the tinge of postmodern R&B—think André 3000 or Frank Ocean, as well as Zero 7—on tunes like “Bodhisattva,” “XX,” and “Without U.” Pushing in a different direction, the acoustic guitar–driven “4 Noble Truths” comes with a violin and cello break, and jazzy singer/songwriter Becca Stevens duets with James on “Dragon” to cast a subdued spell. A soulful take on Al Green’s “Simply Beautiful” closes things out in style, with additional points in Takuya Kuroda’s bluesy trumpet solo. Even so, it hangs together on the strength of James' wispy baritone, making for a remarkable eye-opening musical experience.

TITLE TIME

About José James

Often referred to as a jazz singer for the hip-hop generation, New York City-based vocalist José James has combined jazz, soul, drum'n'bass, and spoken word into his unique brand of vocal jazz. While he states his main influences as John Coltrane, Marvin Gaye, and Billie Holiday, his sound on early 12" singles and in live performances brought to mind such icons of '70s soul-jazz as Terry Callier, and his music felt more like an update of the fluid crossover approach of Gil Scott-Heron, while also being distinctly his own.

James released his full-length debut album, Dreamer, in 2008 on Gilles Peterson's Brownswood imprint. The album ended up earning him accolades worldwide for its blend of jazz, electronic, soul, and pop styles. It placed at number 21 in Jazz Times' Top 50 for the year. Consequently, James played on prestigious stages all over the world, including those at the North Sea Jazz Festival, the Victoria Jazz Festival, Billboard Live Tokyo, Centro Cultural São Paolo, the Hermitage in St. Petersburg, Central Park Summerstage in New York, and London's Royal Festival Hall. James made numerous guest appearances on recordings by the Junior Mance Trio, Jazzanova, Nicola Conte, Basement Jaxx, and Chico Hamilton, to name a few.

He followed Dreamer with Blackmagic in February of 2010. In May of that year, he also made his Impulse! debut with For All We Know, a collection of standards performed in duet with Belgian pianist Jef Neve. He toured relentlessly for the next year-and-a-half, often sitting in with jazz musicians as well as headlining his own dates in Europe, Japan, and the United States. He signed to Blue Note Records in 2012, and issued "Trouble," his first single for the label, in September of that year. His fourth album, No Beginning, No End, was released in January of 2013.

James began composing while on the road. New songs reflected a renewed interest in artists he listened to growing up (Nirvana, Radiohead) as well as newer ones who made an impression (Frank Ocean, James Blake). As a result, he cut While You Were Sleeping, a collection that reflected rock alongside R&B and jazz. It was released in June of 2014.

In commemoration of Billie Holiday's 100th birthday, the singer he claimed -- from the very beginning of his career -- as his "musical mother," James recorded nine songs written or associated with her. He fronted a band that included pianist Jason Moran, bassist John Patitucci, and drummer Eric Harland. Yesterday I Had the Blues was produced by Blue Note label-head Don Was and released in March of 2015. Two years later, he appeared in the film Fifty Shades Darker and continued to confound expectations with his fourth Blue Note album, Love in a Time of Madness, on which he embraced commercial R&B sounds. ~ Matt Collar & Thom Jurek

HOMETOWN
Minneapolis, MN
GENRE
Jazz
BORN
January 20, 1978

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