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Who Can I Turn To

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Album Review

Tony Bennett returned to the Top 40 in late 1964 with his version of the Leslie Bricusse-Anthony Newley anthem "Who Can I Turn To (When Nobody Needs Me)," from Newley's Broadway show The Roar Of The Greasepaint, The Smell Of The Crowd. That song, like the rest of this album, was arranged and conducted by George Siravo, who made detailed ballad arrangements, using individual instruments and groups to echo and counterpoint the Bennett vocals. Still searching for new material, and finding it in works by Cy Coleman and Carolyn Leigh, as well as Mel Torme (whose "Got The Gate On The Golden Gate" recalled Bennett's musical connection to San Francisco), Bennett didn't discover anything to match the title track, and he re-recorded "Autumn Leaves" in a more uptempo framework. But the match of singer and arranger made for a consistent and effective album.


Born: August 3, 1926 in New York, NY

Genre: Jazz

Years Active: '40s, '50s, '60s, '70s, '80s, '90s, '00s, '10s

Tony Bennett's career has enjoyed three distinct phases, each of them very successful. In the early '50s, he scored a series of major hits that made him one of the most popular recording artists of the time. In the early '60s, he mounted a comeback as more of an adult-album seller. And from the mid-'80s on, he achieved renewed popularity with generations of listeners who hadn't been born when he first appeared. This, however, defines Bennett more in terms of marketing than music. He would probably...
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Who Can I Turn To, Tony Bennett
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