||Mama Talk to Your Daughter||Robert Palmer||2:26||$0.99||View In iTunes|
||Why Get Up||Robert Palmer||3:00||$0.99||View In iTunes|
||Who's Fooling Who?||Robert Palmer||2:48||$0.99||View In iTunes|
||Am I Wrong?||Robert Palmer||2:03||$0.99||View In iTunes|
||TV Dinners||Robert Palmer||3:24||$0.99||View In iTunes|
||Lucky||Robert Palmer||2:22||$0.99||View In iTunes|
||Stella||Robert Palmer||3:58||$0.99||View In iTunes|
||Dr. Zhivago's Train||Robert Palmer||3:58||$0.99||View In iTunes|
||Ain't That Just Like a Woman||Robert Palmer||1:59||$0.99||View In iTunes|
||Hound Dog||Robert Palmer||2:02||$0.99||View In iTunes|
||Crazy Cajun Cake Walk Band||Robert Palmer||3:07||$0.99||View In iTunes|
||I Need Your Love So Bad||Robert Palmer||2:17||$0.99||View In iTunes|
For lack of a better word, Drive might be termed Robert Palmer's blues album. Some of the songs are in the strict blues form, and the approach to the arrangements tends toward spare, acoustic elements. In his liner notes, Palmer cites as inspirations an invitation to participate in a Robert Johnson tribute album and the offer to provide the soundtrack to a film set in the deep South in the 1940s and '50s. But, of course, it's not that simple. Spare the arrangements may be, but they are also precise, especially in terms of the rhythms, in a way their models never were. Palmer is a stickler for grooves, and these tracks are carefully edited so that you never really imagine you're in a juke joint. The material ranges from J.B. Lenoir's "Mama Talk to Your Daughter" and Little Willie John's "I Need Your Love So Bad" to more recent fare such as ZZ Top's "TV Dinners" and neo-bluesman Keb' Mo's "Am I Wrong?" Palmer's throaty voice and his urgent delivery are well-suited to the songs, and his usual taste for the Caribbean lightens things up just when the collection is beginning to seem harsh. The version of "Hound Dog," not surprisingly, owes more to Big Mama Thornton than it does to Elvis Presley (Palmer gets the lyrics right, which Presley never did). This is the blues filtered through a highly sophisticated sensibility, and thus rendered as an artifact, however fervently Palmer sings. But then, that filter is what he's been applying to indigenous musical genres for his entire career, and there is much here to remind listeners of his fondly remembered early albums.
A grand exit
It is both sad and fitting that Palmer's last album would be one of his best. It is a potpourri of caribbean rhythms, driving Rock, and novel arrangements of forgotten gems. Robert was one of the few Rock musicians who didn't stagnate after his initial burst of creativity: he was solid to the end. If you first want to sample Drive, enjoy the gritty and exciting treatment of Hound Dog.
addicted to blues
It's a shame "Drive" has gone unknown by so many Robert Palmer fans, not to mention the music world in general. This album clearly defines Palmer has a blues force in his own right with many blues selections that stay true to their roots. My favorite cut off the album is a cover of ZZ Top's "TV Dinners". I was never found of the original, which to me sounded more like a novelty track, but here Palmer slows it down, pares it down to the basics, and turns it into a bona fide blues classic. If nothing else, it's absolute proof that good, simple music will always overshadow the offerings of today's over-produced - and usually overrated, albums that are currently being produced by the music industry.
Eclectic til the very end.
I loved Robert Palmer from a distance for most of his career. It was his refusal not to lock into one genre that kept me coming back. His bluesy performances of "Mama Talk to Your Daughter" and "Hound Dog" show his versatility and appreciation of African-American folk music. I can't take in everything on this album but Robert always made me feel like that was due to my lack of growth which I kinda appreciated. BYE Robert!
Born: January 19, 1949 in Batley, England
Years Active: '60s, '70s, '80s, '90s, '00s