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The Ragpicker's Dream

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Album Review

With his second post-millennium album in just two years, Mark Knopfler has already equaled his meager (non-soundtrack) output for the '90s. And while he isn't reinventing himself, The Ragpicker's Dream is a pleasant, classy, often inspired effort whose unassuming charms are best appreciated after repeated listenings. The memorable riffage that fueled Dire Straits' most radio-friendly material has been discarded for a more pastoral approach, making this a perfect album for a rainy Sunday morning. Like his Notting Hillbillies side project, it isn't entirely unplugged, yet there is an emphasis on acoustic accompaniment to its predominantly ballad slant. Instead of leaving space for traditional soloing, Knopfler weaves his snake-like guitar between the words. This infuses a tense, edgy quality in even the most bucolic tracks, resulting in the crackling but still low-boil atmospherics of "Hill Farmer's Blues" and "Fare Thee Well Northumberland." "Marbletown" is an unaccompanied folk/blues that sounds as if Knopfler was born and raised in the Mississippi backwoods. He taps into the patented insistent lazy, shuffling groove on the spooky "You Don't Know You're Born." It's the most Straits-like track here featuring an extended, winding, yet subtle solo. "Coyote," a mid-tempo sizzler — lyrically based on the Road Runner cartoons — is propelled by a walking bass figure and Knopfler's homey, lived-in, talk-sung vocals. Again, the guitar pyrotechnics are interspersed throughout the verses with overdubbed sounds employed to provide ambiance and mood. The authentic honky tonk swing of "Daddy's Gone to Knoxville" could have come off a Wayne Hancock album, and the "King of the Road" melody from "Quality Shoe" is a tribute to Roger Miller. As an homage to the American roots music he's always admired and a desire to retreat further from the stadium rock of his Straits days, The Ragpicker's Dream is a restrained success, at least on its own terms. It may not please some of Knopfler's old "Money for Nothing" fans, but at this stage, he's obviously not trying to.

Customer Reviews

Possibly the best album I've ever had the pleasure to hear

Once in a while you get to hear a really exceptional guitar player. Occasionally you find a truly gifted song writer. If you're lucky, you may discover a musician who can excite on even deeper, almost subconcious emotional level. Mark Knopfler is all three. With a great respect for his influences, and his own uncanny style, he gives us an album that ranges from playful, to wistful, to melancholy, and back to playful. Possibly the best album I've ever bought. Just buy it already.

Quite a Treat

This album is really without peer. Suffice it to say that for me it gets better every time I listen to it. if you're not sure about it listen to "Hill Farmer's Blues". Really tasteful stuff. Well Done Mr. Knopfler.

Best of the Best

Mark Knopfler is a true guitar virtuoso. He is simply without peer when it comes to his live performances. If you have the opportunity to seem him live you must. Lyrically he is one of the best storytellers recording and this album exemplifies his ability to tell beautiful narratives and couple those stories perfectly with a wide range of guitar melodies. All of Knopfler's albums are great, but Ragpicker's Dream has a timeless quality beyond his or any other artist's work. Classic, masterpiece, or any other superlative you choose to heap upon this album. Listen to it a few (hundred) times. You will love it more each time.


Born: August 12, 1949 in Glasgow, Scotland

Genre: Rock

Years Active: '80s, '90s, '00s, '10s

The most celebrated British guitar hero to emerge in the 1970s and '80s, Mark Knopfler rose to fame as the leader of Dire Straits, and his songwriting and incisive guitar work played a decisive role in making them an international success story. At a time when punk and new wave were making technique for its own sake seem irrelevant, and metal was taking the guitar solo in noisier and unpredictable directions, Knopfler's clean but dexterous picking proved there was still room for traditionalism and...
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