12 Songs

EDITORS’ NOTES

The ferocity of Parkway Drive’s fourth studio album can be partially credited to the Australian metalcore quintet having traveled to Los Angeles, where Slayer and Hatebreed producer Matt Hyde sat in the mixing chair. But as the opening attack of Atlas affirms, the band deliberately made something that’s darker and harder than ever before. Don’t let the atmospheric synthesizers and acoustic finger-picking of the introductory “Sparks” fool you. After it sets a foreboding tone, “Old Ghosts/New Regrets” explodes with snarling guitars, ear-boxing blast-beats, ham-fisted breakdowns and Winston McCall’s most unrestrained vocal performance to date. “Dream Run” is just as feral in attack. It begins with a lo-fi production, pulling the listener in closely before launching a berserker attack on the eardrums. And though the melodies are just as gargantuan as all other elements; Hyde’s exercise in restraint builds a palpable tension here and throughout, making Atlas one of the most sophisticated albums to grace the metalcore genre. “Dark Days” paints a dystopian future on par with Cormac McCarthy’s The Road.

EDITORS’ NOTES

The ferocity of Parkway Drive’s fourth studio album can be partially credited to the Australian metalcore quintet having traveled to Los Angeles, where Slayer and Hatebreed producer Matt Hyde sat in the mixing chair. But as the opening attack of Atlas affirms, the band deliberately made something that’s darker and harder than ever before. Don’t let the atmospheric synthesizers and acoustic finger-picking of the introductory “Sparks” fool you. After it sets a foreboding tone, “Old Ghosts/New Regrets” explodes with snarling guitars, ear-boxing blast-beats, ham-fisted breakdowns and Winston McCall’s most unrestrained vocal performance to date. “Dream Run” is just as feral in attack. It begins with a lo-fi production, pulling the listener in closely before launching a berserker attack on the eardrums. And though the melodies are just as gargantuan as all other elements; Hyde’s exercise in restraint builds a palpable tension here and throughout, making Atlas one of the most sophisticated albums to grace the metalcore genre. “Dark Days” paints a dystopian future on par with Cormac McCarthy’s The Road.

TITLE TIME
2:18
2:49
4:08
4:18
4:05
5:27
3:31
4:14
4:08
4:27
2:48
5:47

About Parkway Drive

Hailing from the hippie-loving beachfront town of Byron Bay, Australia, metalcore outfit Parkway Drive blasted out of their serene surroundings touting a volatile blend of intricate metal riffing, punishing breakdowns, and hardcore's emotional tension. Named after a rural countryside road, the band was formed in summer 2003 by vocalist Winston McCall, guitarists Luke Kilpatrick and Jeff Ling, drummer Ben Gordon, and bassist Jia O'Connor. They split an EP with like-minded countrymen I Killed the Prom Queen that same year, and later appeared on the local hardcore compilation What We've Built. In May 2005, Parkway Drive's debut EP, Don't Close Your Eyes, was released on the Sydney-based Resist Records. They continued building a respected name for themselves in the Australian hardcore scene, often opening for Bleeding Through, Shadows Fall, Every Time I Die, Hatebreed, and other American bands who were touring abroad.

For its full-length debut, the band journeyed to the U.S., recording in Massachusetts with producer Adam Dutkiewicz (Killswitch Engage). Recorded over a two-week period in 2005, Killing with a Smile entered the Australian Independent Chart at number two upon its February 2006 release. The debut album sold extremely well across the country and later saw a North American release through Epitaph Records in August of that year. For its sophomore effort, the band again traveled to Massachusetts to reprise its successful partnership with Dutkiewicz. The metallic Horizons was released by Epitaph in October 2007. In 2010 the band came back with its third full-length effort, Deep Blue, which landed Parkway Drive an ARIA award for Best Hard Rock/Heavy Metal Album. In 2012 Atlas arrived, a more adventurous and varied album with production assistance by Slayer producer Matt Hyde. Parkway Drive continued to alter their sound, striving for a more varied, decidedly metal approach on their fifth album, 2015's Ire. ~ Corey Apar & Andrew Leahey

  • ORIGIN
    Byron Bay, Australia
  • GENRE
    Rock
  • FORMED
    2003

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