8 Songs, 42 Minutes

EDITORS’ NOTES

Kevin Morby relocated to Los Angeles to record these reflections on living for five years in New York City—which, for this Kansas City native, proved to be a place of ambivalent progress. He upped his profile from nothing by working in two bands (Woods and The Babies) and planted the seeds for working with producer Rob Barbato (Darker My Love), who here adds guitar and bass work, alongside The Babies’ Justin Sullivan, White Fence’s Tim Presley, Will Canzonieri, Dan Lead, and Cate Le Bon, who features on “Slow Train.” Recorded in just two months, this album has a modern 2013 sound, despite its folk leanings. The reverb is generous; the guitar tones are clean and silvery. Critics’ comparisons to Bob Dylan appear superfluous, as Morby doesn't come near Dylan’s sneer nor his gruff demeanor at any point. A harmonica does howl on the Mason Jennings–like “Reign”; that's the closest Morby comes to rocking exuberantly. Mostly, he sounds a bit charmed (“Wild Side”) and a bit stunned (“Sucker in the Void”) at just how tough New York City is compared to the dreams one might have about it. 

EDITORS’ NOTES

Kevin Morby relocated to Los Angeles to record these reflections on living for five years in New York City—which, for this Kansas City native, proved to be a place of ambivalent progress. He upped his profile from nothing by working in two bands (Woods and The Babies) and planted the seeds for working with producer Rob Barbato (Darker My Love), who here adds guitar and bass work, alongside The Babies’ Justin Sullivan, White Fence’s Tim Presley, Will Canzonieri, Dan Lead, and Cate Le Bon, who features on “Slow Train.” Recorded in just two months, this album has a modern 2013 sound, despite its folk leanings. The reverb is generous; the guitar tones are clean and silvery. Critics’ comparisons to Bob Dylan appear superfluous, as Morby doesn't come near Dylan’s sneer nor his gruff demeanor at any point. A harmonica does howl on the Mason Jennings–like “Reign”; that's the closest Morby comes to rocking exuberantly. Mostly, he sounds a bit charmed (“Wild Side”) and a bit stunned (“Sucker in the Void”) at just how tough New York City is compared to the dreams one might have about it. 

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About Kevin Morby

Before striking out on his own as a singer/songwriter, Kevin Morby was best known for his work with two different Brooklyn bands, the Babies and Woods. Based in Los Angeles, Morby originally moved from his native Kansas City to Brooklyn in the mid-2000s, eventually joining the noise folk group Woods on bass. While living in Brooklyn, he became close friends and roommates with Cassie Ramone of the punk trio Vivian Girls, and the two formed a side project together called the Babies, who released albums in 2011 and 2012. Following his move to L.A., Morby recorded a collection of songs with Babies producer Rob Barbato that was intended to be an homage to New York City. The new songs represented a stylistic shift into a more roots-oriented indie sound and also featured Babies drummer Justin Sullivan along with several other guest artists. Released in 2013 by Woodsist Records, the eight-song collection was called Harlem River and became Morby's debut as a solo artist. In August of that year, Morby relocated from his Brooklyn dwellings to Los Angeles, quickly beginning work on what would become his second solo album, Still Life. The album was released yet again on the Woodsist label in late 2014. His next record was informed by two developments: he moved to a house with a piano; and he played in the Complete Last Waltz, a group formed to pay tribute to the music of the Band. The first changed the way he wrote songs; the second meant he hooked up with fellow bandmate Sam Cohen of Yellowbirds and the two began collaborating. The recording of Morby's first album for his new label, Dead Oceans, took place in Woodstock, New York and featured appearances from keyboardist Marco Benevento and Quilt's John Andrews on musical saw. Singing Saw was released in April of 2016. The following year, a "counterpart" album, City Music, was released. Recorded at the analog-centric Panoramic House studio in rural West Marin, CA and prominently featuring its 19th-century pump organ, the album saw Morby channeling Lou Reed and Patti Smith in a collection of introspective vignettes inspired by the unique mystique of urban life. ~ Timothy Monger

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